La vispa Teresa (“Lively Theresa”) is based on a well known song; a girl, ten, catches a butterfly and all the other insects intervene to save it.
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On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.
An orphan bear cub hooks up with an adult male as they try to dodge human hunters.
In Victorian England, wealthy patriarch Sir Harald Alabaster invites an impoverished biologist, William Adamson, into his home. There, William tries to continue his work, but is distracted by Alabaster's seductive daughter, Eugenia. William and Eugenia begin a torrid romance, but as the couple become closer, the young scientist begins to realize that dark, disturbing things are happening behind the closed doors of the Alabaster manor.
With a keen sense of visual beauty, director Markku Lehmuskallio has created a thought-provoking, aesthetic film about a married couple and an old man living in a remote part of Finland. The young husband goes out hunting but only to support himself and his wife, not to kill off hordes of animals. He sets traps, and that gets him in trouble with the police who proceed to ticket him for using the devices. The forest cycles themselves are intimated when an old tree is shown falling to earth -- perhaps a reflection on the old man's passing years. In contrast to these few people living off the land and basically keeping the ecological balance intact, a highway construction crew is shown at work felling trees. Soon the antagonism grows between encroaching civilization and the quiet life of the young couple and elderly man.
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Set in the frozen steppes of Mongolia, a young nomad is confronted with his destiny after animals fall victim to a plague which threatens to eradicate nomadism.
Antoine Sforza, a thirty-year-old young man, left his village ten years before in order to start a new life in the big city, but now that his father, a traveling grocer, is in hospital after a stroke, he more or less reluctantly accepts to come back to replace him in his daily rounds.
Young lion prince Simba, eager to one day become king of the Pride Lands, grows up under the watchful eye of his father Mufasa; all the while his villainous uncle Scar conspires to take the throne for himself. Amid betrayal and tragedy, Simba must confront his past and find his rightful place in the Circle of Life.
A lyrical story about first love, death and disappointment, based on a poem of the same title.
Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.
The movie, based on a story by Yuri Nagibin, depicts a young girl named Vika enjoying the last days of summer vacations in a sea resort somewhere in the south.
Inspired by the poem Hamza by the great Palestinian poet Fadwa Tuqan, compares and connects the mystery of the fertility of the Palestinian land to the mysterious power of it's women.
After discovering a rumor has been spread about her, Pernille agrees to confront the girl suspected to be behind it at a party, but the situation quickly escalates and Pernille feels pressured into actions that cannot be undone.
Martin (Joe Newton) is a casualty of society. He is under appreciated and overworked as a salary man in the city. With mounting pressure on his shoulders, he experiences a breakdown at work and loses his job. After visiting his childhood home to collect some possessions, he opts not to go home but instead chooses to live off grid in the vast woodland. Here he attempts to survive, to try and find himself again, through being amongst nature and his love of writing poetry.
Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.
As a young urban couple on a working holiday hopes to connect with nature at Tistlebu farm, a primordial power comes into play, changing them both forever.
