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Giovanni
Beatriz
Doctor Rappaccini
Baglioni
Isabela
Flower 1
Flower 2
Flower 3
A three-part look at the ironies of love, with stories that involve a young boy, a hostage situation, and a divorced elderly couple caught in a love triangle.
The boys' group of Rychlé pípy goes to the Wasp Meadow to observe insects. However, a seemingly dead wasp begins to stick out its stinger...
19-year-old Tomek whiles away his lonely life by spying on his opposite neighbour Magda through binoculars. She's an artist in her mid-thirties, and appears to have everything - not least a constant stream of men at her beck and call. But when the two finally meet, they discover that they have a lot more in common than appeared at first sight...
Dunkin and Jay, two aimless friends in Los Angeles, decide to escape their problems and take a spontaneous trip to Colombia in search of change.
Thomas, 70, looks back on the last evening he and his lost friend Mari spent together. An evening in which they drink wine, dine, listen to piano playing and dance with their girlfriends. As the hours pass before his eyes, Thomas contemplates the lost friendship, the person Mari was and the conversations of that night.
Jasmine, who is tomboyish and lazy, is matched through an arranged marriage with a religious man who brings tranquility through his behavior and words named Azzam. Jasmine asks Azzam to step back and start avoiding her because she feels unworthy, but Azzam's gentleness makes her melt and linger in Jasmine's mind. In addition, she already has a boyfriend who has been in a relationship for four years named Deka. Jasmine must decide where her heart will anchor.
The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.
Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich "Non ti Lusinghi la Crudeltade" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute/Violin Concerto beguiles with its exquisite lyricism.
John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).
A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.
Simple Italian postman learns to love poetry while delivering mail to a famous poet; he uses this to woo local beauty Beatrice.
Andreas, a young German student comes to Hungary on an exchange programme. In the Hungarian village he falls in love with the stationmaster's daughter Piroschka and spends much of his time with her. They have an enchanting summer until Andreas gets an invitation to join another young woman at a nearby resort. Piroschka is jealous and follows him there, causing trouble. It takes a long time for Andreas and Piroschka to even talk to each other again. When Andreas has to leave Hungary at the end of his holiday, he is determined to return some day.
An inventor spurns his city life and moves his family into the jungles of Central America to make a utopia.
A strong-willed peasant girl is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line, but is left traumatised from her experiences.
Through the eyes of a young girl suffering from mental illness, 'Caldera' glimpses into a world of psychosis and explores a world of ambiguous reality and the nature of life and death.
The Catholic priest Hell takes the orphan Annerl into his house as a maid. This soon gives rise to wild rumors in the town. To put an end to the gossip, the young woman decides to get married. Her old childhood friend is the chosen one.
Handel's 1724 opera Tamerlano followed the success of his previous year's Giulio Cesare with another colourful historical costume drama. This time the setting is the court of "Timur the Tartar", who has just defeated the Turkish Sultan Bajazet at the battle of Angora. There are, naturally enough, romantic complications when both Tamerlano and his ally, the Greek Prince Andronico, fall in love with Bajazet's daughter Asteria. She, however, has plans to revenge her father's defeat. This production was directed by Jonathan Miller and staged in the intimate surroundings of the Goethe Theatre of Bad Lauchstadt as part of the 2001 Halle Handel Festival.
Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.
A former champion rodeo rider is reduced to using his saddle skills to promote a breakfast cereal in a gaudy Las Vegas show. When he's asked to perform with a $12 million horse, he discovers it is being doped to remain docile. He flees into the desert astride the beast in an act of defiance. A story-hungry female reporter gives chase.
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
