Inhabitants of Beirut talk about their love for the singer Fairuz.
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An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Sayedat Al-Kasr traces the history of the Joumblatt family of Mount Lebanon from the 17th century to the present, focusing on early 20th century leader and politician Nazira Joumblatt. Born in 1889, Nazira ascended the throne of the Moukhtara palace in 1923, following the assassination of her husband Fouad and the resignation of her brother Aly Joumblatt. She presided over the region as Lady of the Palace for twenty-five years while raising her son Kamal, preparing him to take his place in a long line of Jumblatt leaders. Famous for her wisdom and strong personality, Nazira boldly entered the Lebanese political scene at a time when this field was entirely dominated by men. Unwavering, she contributed to maintaining peace and stability in Lebanon for many years, earning the respect of men and women, whether Druze or Maronites.
In July 1982, the Israeli army besieged Beirut. Four days earlier, Jocelyne Saab sees her house burn and 150 years of family existence go up in smoke. She then takes refuge in questioning: when did this all begin? How did the Beirut people live the siege? Each place will then become a story and each name a memory.
Renowned vocalist Sarah Brightman performs more than 20 songs before a packed house at Las Vegas' MGM Grand Arena in this concert film from Angel Records. The set list includes such tunes as "Who Wants to Live Forever," "Stranger in Paradise," "What a Wonderful World," "A Whiter Shade of Pale," and "Wishing You Were Somehow Here Again."
An intimate exploration of life in Bzebdine, a small rural village in Mount Lebanon.
Beyrouth, spring 2020. Is the uprising in Lebanon merely on hold?
Yes, you have to scream louder.
Jean-Claude walks his dog in a neighborhood forever stuck in reconstruction. On his trip, he wonders about life, mortality, and 'what if' scenarios while remembering fragments from the direct impact of the second that almost cost him his life on August 4. At the moment of the explosion, the end of the world, bodies, buildings, roads, and cities may shatter. Perhaps the universe itself breaks apart. But the most severe fragmenting remains that of memory. A picture here and a sound there are vaguely reconstituted. Can a future be built from such a memory? Can it rebuild what was lost? Is it time to leave?
After the battle of Kfar Chouba in Lebanon in January 1975, Larbi Nasri, a young Algerian journalist, was caught in the whirlwind of events preceding the civil war. Linked to Maha, Hind, Raouf and Michel who surround Nahla, he witnesses the construction of the myth of Nahla, a singer adored by the Arab population. One day Nahla loses her voice on stage. The atmosphere of crisis that reigns around her is spreading like an infection. Larbi, fascinated, loses his footing and gets bogged down.
Two realities of life in Lebanon that couldn't be further apart: How a desperate man tries to escape across the Mediterranean because he can no longer cope with poverty and lack of opportunities and, on the other hand, how a successful wedding planner makes the dreams of the rich and beautiful come true.
Intimate discussion with the inhabitants of Kfarbaal, a village tucked in the mountains above Byblos. We hear them share their experiences, deceptions and dreams.
Lebanese director Angie Obeid embarks on a road trip with her father, Mansour, retracing a journey he made 42 years ago. She tries to reach out to the young Mansour, understand the decisions he made when he was her age, and find common ground. The film explores the challenges and opportunities that arise when navigating the boundaries between tradition and modernity, family and individuality, home and the wider world.
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In the Land That Is Like You is a progress on the tracks of my lost past, with the contact of my mother, my grandmother and the man who I love, in a country which escapes from me and retains me, Lebanon.
A nine-year-old Syrian refugee girl contemplates her increasingly bleak future after being forced to drop out of school in the midst of Lebanon’s unprecedented economic collapse and battle with Covid-19.
A group of talented youth exploited by the head of a gang in his suspicious work while a dance coach tries to make a band of them.
A music producer faces the relentless pressures of work, relationships, and a high-stakes album over 24 intense hours.
Documentary tracing Hezbollah’s emergence in southern Lebanon after years of Israeli occupation, focusing on its social base, resistance activities, and the return of displaced villagers.
Set during the Lebanese revolution, WE NEVER LEFT portrays a heart-wrenching duality between Beirut and New York, an impassioned testament to the Lebanese diaspora’s unrequited but irrepressible love for their homeland.
It's war. War against an invisible enemy that is not as deadly as we are told. The world is changing rapidly. Disproportionate measures are taken worldwide that disrupt society as a whole. A dichotomy in society forced vaccinations and restrictions on freedom. Have we had the worst? Or is there something more disturbing to awaiting us.
