A group of talented youth exploited by the head of a gang in his suspicious work while a dance coach tries to make a band of them.
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Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.
Estella Scrooge is a Wall Street tycoon with a penchant for foreclosing. A hotelier in her hometown of Pickwick, Ohio has defaulted on his mortgage and as a Christmas gift to herself, Estella decides to deliver the sad news in person. Arriving at the Harthouse Hotel on Christmas Eve, Estella discovers that the mortgage holder is none other than her childhood sweetheart, Pip Nickleby. Always the humanitarian, Pip has generously transformed the property into a refuge for the distraught, disabled and displaced. A freak snowstorm forces Estella, much to her dismay, to take refuge at Harthouse. That night, as it happened to her ancestor Ebenezer long ago, she too is haunted by three visitations. And oh what uninvited overnight houseguests they are!
An all-girl rock band moves to Hollywood in the hope of achieving success, only to fall into a whirlpool of wickedness and decadence.
A director tries to get his porno musical off the ground.
A newly-wed man discovers that his wife is in love with another man and decides to unite them. Ignoring the ridicule he might have to face for this, he takes his wife to Italy in search of her love.
In 1940s France, a new teacher at a school for disruptive boys gives hope and inspiration.
Caught at the window just before an air-raid warning (WWII) composer Paul tells how he met his wive Anni, a revue star and song writer, how he handled the courtship and the early years of his marriage, inspite of some professional conflicts - his operas were flops, while his wive had one success after the other - they finally found out how they could help each other.
A Salesman tries to locate a notorious Mexican bandit.
Susan Kent, hoping to establish herself as a song-plugger, tries to obtain a second song from a young songwriter, Johnny Crane, after his first song becomes a hit. While pursuing her objective, she falls in love with Johnny, and lands in jail, but she acquires the song, the job, and Johnny.
In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket, and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
Pello, a bank branch manager, is arrested on charges of embezzlement. Abandoned by his superior (who got him involved in the heist), Pello escapes from the court room and goes on the run. With no papers, no money and no family or friends he can trust, he changes identity so that he can stay undercover for a time. By chance he ends up hiding in a building that has been occupied by a group of people evicted from their homes who are fighting his bank. Pello gains their trust, all the time planning to steal money from them to pay for false documentation so that he can escape abroad and start a new life.
Solidarity, peace, and brotherly love – especially in difficult times. The passion stands for values and has fascinated people for over 2000 years already. Now, Jesus Christ gets resurrected once again in ‘Die Passion’ (The Passion): During the RTL live music event, he awakes in modern times – accompanied by real pop hits. The modern depiction of the final days in the life of Jesus Christ is enacted in ‘Die Passion’ by an array of popular stars of the worlds of acting and music.
Two middle-aged brothers and farmers live together on the farm they grew up on. They are struggling with their loneliness and inability to run the household after their parents died so they put a "help wanted" ad in the local newspaper. They get more than they bargained for when Hillevi turns up with her mother and a goat.
A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.
'Cape No. 7' director Wei Te-Sheng returns to his melodic roots with Taiwan's first musical, '52Hz, I Love You.'
Two talented song-and-dance men team up after the war to become one of the hottest acts in show business. In time they befriend and become romantically involved with the beautiful Haynes sisters who comprise a sister act.
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."
When You're Smiling is distinguished by the presence of several top recording artists of 1950. The wafer-thin plotline concerns the misadventures of Texan Gerald Durham (Jerome Courtland), who arrives in the Big City to learn the ropes of the music business. Durham not only ends up with a recording contract, but also wins heroine Peggy Martin (Lola Albright) in the bargain. So much for the story. The principal selling card of When You're Smiling consists of the guest-star turns by Frankie Laine, Bob Crosby, The Modernaires, The Mills Brothers, Kay Starr and Billy Daniels.
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after fickle Lila Dixon gives him the brush. Jim's supper club, Holiday Inn, is the setting for the chase by Hanover and his manager.
