Happy Sciosciammocca has a double life: he plays sacred music in the convent of Rondinelle and teaches music to the educators, at night he goes to Naples where he is known as the actor.
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The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.
Young Shakespeare is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman auditions for a role, they fall into forbidden love -- and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy.
In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the "concerned friend" gag as a way to hide out from the police.
Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.
When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.
A boy who was once a perpetual outcast finds friends in a new boarding school. United with his new peers, he gets involved in a heated rivalry with a group of students from a neighboring school.
1927. The place is Kalmar and the Grossman family home. A hungover manufacturer Julius Grossman and his wife Solveig are waiting at home for their daughter Betty to arrive by train from the capital. To their great surprise, she arrives in a car with her suitor Greger in tow. What's more, she seems to be full of contemporary trends and modern ideas about marriage, among other things. Her father Julius would rather see her marry his business partner Hilding and thus retain control of the company. Hilding is a dull, somewhat dreary, and slightly overage bachelor who suddenly becomes every woman's dream prince when a rumor begins to circulate that he had a relationship with the famous movie star Rita Ray in his youth.
Each is dependent on the other. He breaks into the passport office to get a passport. He is surprised and ends up back in prison, where he is trained in military drill. After his release, he once again lodges with relatives, his sister and brother-in-law. Wearing a second-hand captain's uniform, he first takes over a guard unit and uses it to occupy Köpenick town hall, where all the employees of the town council submit to the supposed captain. The mayor is promoted to Berlin and Voigt presents himself to the authorities a few days later. At first, everyone present laughs at the prank, but then Voigt is made aware of the legal consequences. He is sent back to prison, but shortly afterwards he is pardoned by the Emperor.
Pierre and Aline, in their fifties, decide to take advantage of their guest house one last time by inviting friends. It's the turn of Max, Pierre's childhood friend, and his wife Charlotte to be invited. The week promises to be beautiful, between the Avignon Festival and good food and drink. But how can we keep these childhood friendships alive, when the life paths of each of them have diverged over time.
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
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Harold Chasen is a young man of 19 years with an overflowing and morbid imagination, who takes advantage of his free time to attend funerals, and stage suicides to react to his mother, Mrs. Chasen, a strict, tyrannical woman and a a bit hysterical, who takes care of finding a wife for his son. But when Harold meets Maude, "80 year old princess", nonconformist and full of life, everything changes for the young man. The old woman teaches him to love life through more wacky experiences than each other, and Harold falls in love with it.
They stick to our skin and soul, our clothes. We believe we buy them, they own us. Warning ! these rags are traitors: far from dressing us they expose our complexes, our moods ... Clinging to their hangers, to our memories too, they exercise an underhand dictatorship. Snuggled up, huddled together, they build a bulwark against oblivion in our closets. Often stained for eternity with ink or redcurrant, impregnated with perfume, tears sometimes, piled up or messed up on our shelves, they remain forever linked to the happy or unhappy chapters of our life. It is through the evocation of their wardrobe that Gigi, Eve, Marie, Nora, Françoise, Amanda, Lisa and the others evoke the past, missed appointments and those that changed their lives, the joys and childhood revolts, giggles, disappointments, dramas, parties and hopes too…
An accountant, presumed honest, inadvertently finds 7 million francs in his bag and decides to change his life.
During the run of a particularly awful interpretation of Richard III, the star, Anthony O'Malley, begins to frequent a rough pub to develop his character. He meets Barreller who he discovers owes someone he's never met a considerable sum of money. Seeing an opportunity to make some fast money, O'Malley convinces hapless extra, Tom, to meet Barreller as the debt collector.
Wrongly accused of physically abusing a fellow actor, starving thespians Arthur and Maurice find themselves pursued by the law aboard a cruise ship.
