Directed by Max Urban.
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A short silent film produced by Gaston Mèliès in San Antonio.
While working as a dishwasher in a fashionable New York hotel, Elsie MacFarland often sneaks upstairs to enviously peek at the people dancing to jazz music. Seeing the attractive Elsie dressed in a boy's uniform, wealthy Lemuel Stallings wagers a friend that he can get Elsie onto the dance floor....
Kalora is the "slim princess of Morevana," a land in which fat is prized. This distresses her family, who must marry off Kalora, before her rotund younger sister Papova may wed. To remedy this situation, Kalora's father, the governor general, throws a garden party and disguises his slim daughter in an inflated rubber suit. All goes well until the suit ruptures, deflating Kalora to her normal size....
The city chap arrives in a flivver and makes love to the daughter of the proprietor. The rival plays a strong hand but is not quite strong enough to regain the girl. Little brother plays his part with tact and gets the regulation quarter for allowing the spooners to be alone. An elopement in moonlight provides a good finish.
Major Starr is an ambitious newspaper reporter who has taken undercover employment as chauffeur to Lady Susan Loman in the hope of witnessing high-society goings-on which he can use in a feature article he is planning.
When Pinto reaches her eighteenth birthday, the five wealthy Arizonans who adopted her upon the death of her parents decide that ranch life will never make a lady of her. Their old friend Pop Audry, formerly of Arizona and now a member of New York society, agrees to provide Pinto with the necessary education. Accordingly, Pinto and her cowboy nursemaid Looey are dispatched to New York where they lose Audry's address. ...
At his father’s insistence Billy Drake heads to the family’s South American ammunition company as an emissary. Before leaving, however, the movie-struck Billy spots a beautiful woman standing in front of a theater and imagines that she is a film star. To his delight, he finds the woman on board his ship, as well as political agitator Count Von Nuttenburg who has stolen a movie camera, thinking that it is a new brand of machine gun. Von Nuttenburg shows the camera to Billy. Thinking the Count is a director, and the ship a set for a movie melodrama when the boat lands at a port torn by revolution, Billy insists that the guns and soldiers are part of the show. Not until he and the girl are seized by the rebels and threatened with death, does he admit his error. By a clever ruse, he escapes from his captors and with the help of Federal troops defeats the Count and wins the heart of his pretty shipmate.
A princess avoids a forced marriage by changing places with her double.
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.
A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
Charles, Joseph and Sir Benjamin are in love with Maria and Lady Sneerwell is in love with Charles.
During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.
Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.
A man tries to burgle his own safe on the same night that a professional criminal attempts it.
Frantisek Filip film version of the Smetana opera.
Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.
Bobby, the doughboy, has left his sweetheart behind in Paris. He returns for her and has the greatest difficulty locating her. In his hunt he runs into the tough White Rat Cafe, where the Darling of Paris becomes enamored of him, thereby arousing the jealousy of her lover, who threatens Bobby with dire consequences. Bobby escapes, runs into his sweetheart, and in the chase, the villain at his heels is captured by the police as a badly wanted criminal.
