Six stories about the modern Bulgarian family.
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It's Ted the Bellhop's first night on the job...and the hotel's very unusual guests are about to place him in some outrageous predicaments. It seems that this evening's room service is serving up one unbelievable happening after another.
A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.
Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.
Three anthological segments about sexcapades and erotic fantasies in middle-class Italy.
An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.
Three macabre tales from the latest issue of a boy's favorite comic book, dealing with a vengeful wooden Native American, a monstrous blob in a lake, and an undying hitchhiker.
This follow-up to the George Romero/Stephen King-launched anthology series features five new tales of horror and a wraparound. The main stories deal with alternative realities ("Alice"), possessed communication devices ("The Radio"), vampires and serial killers in lust ("Call Girl"), mad inventors ("The Professor's Wife"), and hauntings from beyond the grave ("Haunted Dog").
Aliens invade an aerobics class before the credits roll in this horror anthology spoof illustrating outrageous stories that could easily be found in a tabloid newspaper at your local grocery store checkout! The stories are: Baby Born With Full Beard, BBQ Of The Dead, and Killer Vacuum Destroys Town
Five new stories of grueling horror: A Christmas Haunting, Zombie Office, Undone, Unchangeable and The Psychomanteum - ghosts, zombies and bloody revenge.
A two-part feature directed separately by Shimizu and his colleague Keisuke Toyoshima. Unrelated to each other, both have a common goal: to bring ghosts and aliens together in pure, referential and absurdistic delirium, including neo-Nazi specters, zombie yakuzas and nasty aliens.
Second film in the Tetsuson anthology series comprised of 22 shorts.
A compendium of three short science-fiction films, each with a decidedly feminist slant.
A film that foretells three modern-day ghost stories, set in the City of Hong Kong. The first segment deals with a popular singer that mysteriously falls into a deep coma, and the public is unaware that his spirit is detained by the ghost of an obsessed fan of his. His plea for help is only recognized by his nurse. In the second segment, four college girls are assigned an unusual project, and their selected-topic is to "interview" the ghost of the "Braided Woman." When they encounter the streets where the ghost was claimed to roam, they find themselves in a mist of terror. In the third segment, two night-duty police officers stumble upon a mysterious crisis when their speed-tracking camera detects a image of an old woman. After the woman's first sighting, the officers encounter her in every place they go, and their only solution is to find out what she wants.
Centered around a television station which features a 1950s-style sci-fi movie interspersed with a series of wild commercials, wacky shorts and weird specials, this lampoon of contemporary life and pop culture skewers some of the silliest spectacles ever created in the name of entertainment.
Old lovers reunite, a friendship is betrayed, a pet is killed, a runaway discovered, and a co-worker comes back from the dead in these five interconnected tales about suffering from kindness. Shot over five-years worth of weekends featuring a massive cast and crew, this ambitious, feature-length, no-budget indie shows a side of Maine not seen anywhere else (no lobstermen here, sorry) and finds bleak comedy in a backwater state being dragged into a diverse and inclusive 21st century.
Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.
A daughter struggles to talk to her father, who is also a son.
In Gack's house, someone is constantly robbing him of bread and pastries. The main suspect, according to Lopušný, is his companion Belák. The farce ends with Gacek being punished, Lopušný and Belák being compensated and reconciled with the rich thief. The main storyline of the farce Pytač consists of the fourfold transformation of the landowner Dobši, his wife Pľuta and his daughter Matilda, who is about to be married off.
1. A taxi driver barely finishes his coffee before a young woman asks for a ride to impress her boyfriend, only to reveal her beau’s ramshackle “plan” beside his sleek car. He then smooths over a quarreling couple, helps a frustrated engineer solve his machine’s fault in a dream, and delivers a masked father’s gifts for his estranged daughter. 2. Mr. Kalina, an airport employee, fulfills a flight attendant’s plea by taking in an orphaned African girl for the night. He ensures her safe transfer to a children’s home the next day. 3. Zaza, a coquettish milliner’s assistant, juggles the attentions of a shy tailor and her stern salon manager. After a humiliating fall on the runway, the tailor comforts her and stages a private reprise, revealing where her heart truly belongs.
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.
