Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.
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In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”
This short documentary is a tribute to the unknown father. Emerging filmmaker Danic Champoux poses the question "How many men still have to uproot themselves and leave their families to get work?" as he sets out to search for his own father. He wonders about these men who are labourers, itinerants, and mostly nameless, but who are all exemplary providers. But at what cost? This film was produced as part of the Libres Courts collection of first-time documentary shorts.
Experts say over the next hundred years the "perfect storm" of population growth, resource depletion and climate change could converge with catastrophic results. The scenarios in Earth 2100 are not a prediction of what will happen but rather a warning about what might happen.
Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...
In an oil-scarce world, we know there are sacrifices to be made in the pursuit of energy. What no one expected was that a tiny Native community, living down the river from Canada's tar sands, would reach out to the world for help — and be heard.
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.
When workers at the Hormel meatpacking plant in Austin, Minnesota are asked to take a substantial pay cut in a highly profitable year, the local labor union decides to go on strike and fight for a wage they believe is fair. But as the work stoppage drags on and the strikers face losing everything, friends become enemies, families are divided and the very future of this typical mid American town is threatened.
From the acclaimed director of American Movie, the documentary follows former Los Angeles police officer turned independent reporter Michael Ruppert. He recounts his career as a radical thinker and spells out his apocalyptic vision of the future, spanning the crises in economics, energy, environment and more.
What happens when subcontracted precarious workers turn into podcast DJ. Subcontracted precarious workers at the SK Broadband, Inc. began a podcast titled ‘Workers Have Changed!’ to broadcast the story about their strike for job security. The podcast studio becomes a theater of their life as they share their stories - daily hardshipsof subcontracted labor, coping with rude customers, and their futures and dreams.
After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.
An explanation of social security, survivors’ insurance and other benefit systems, encouraging workers to file for their social security cards.
This 1996 documentary takes a nostalgic ride through history to present the experiences of Black sleeping-car porters who worked on Canada's railways from the early 1900s through the 1960s. There was a strong sense of pride among these men and they were well-respected by their community. Yet, harsh working conditions prevented them from being promoted to other railway jobs until finally, in 1955, porter Lee Williams took his fight to the union.
Moving between a local microcosm and the global oil crisis, H2Oil weaves together a collection of compelling stories of people who are at the front lines of the biggest industrial project in human history: Canada's tar sands. H2Oil is a feature-length documentary that traces the wavering balance between the urgent need to protect and preserve fresh water resources and the mad clamoring to fill the global demand for oil. It is a film that asks: what is more important, water or oil? Will the quest for profit overshadow efforts to protect public health and the environment in Canada's richest province?
Miras (Heritage) looks at the activities of the Nobel Brothers in the oil industry of Azerbaijan, one of the world’s oldest oil producers. After founding the first foreign company in the city of Baku at the end of the 19th century, the Nobel brothers name was glorified; yet few people know about the deep connection of the Nobel Prizes with Baku’s oil.
An audiovisual experiment that shows how oil is refined into gasoline and ultimately powers cars and other vehicles, accompanied by classical music and experimental synthesizer sounds. Filmed in the Libyan desert, the film traces the path and development of the gasoline, from the extraction of oil as it is drilled in the Libyan desert to the pump at the gas station, making road construction machines dance and convertibles roar through the Spessart forests. This film also drew Herbert von Karajan and Leo Kirch's attention to Hugo Niebeling, in which the director has road bulldozers "dance" to the music of Vivaldi.
Shot with a mix of smartphones and GoPros, filmmaker Taku Aoyagi takes us on his daily bike rides as an Uber Eats worker. But pedaling on Tokyo’s deserted streets, delivering boba tea to cloistered condos, he starts to wonder… what was it that Ken Loach said about the Uberization of society? And what does gig-work offer an unemployed young person with student debt?
Migrating is seldom an easy solution. It is rather a journey, that begins with a journey. After more than eight years of campaigning, the immigrant cleaners outsourced at the School of Oriental and African Studies (SOAS) in London continue to demand being brought in-house. Limpiadores charts the history of their and others’ campaigns – from winning the London Living Wage to the deportation of nine colleagues, and the day-to-day invisible labour of cleaners on our campus.
The causes underlying the collapse of civilizations are usually traced to overuse of resources. As we write this, the world is reeling from economic chaos, peak oil, climate change, environmental degradation, and political turmoil. Every day, the headlines re-hash stories of scandal and betrayal of the public trust. We don't have to make outraged demands for the end of the current global system - it seems to be coming apart already. But acts of courage, compassion and altruism abound, even in the most damaged places. By documenting the resilience of the people hit hardest by war and repression, and the heroism of those coming forward to confront the crisis head-on, END:CIV illuminates a way out of this all-consuming madness and into a saner future. Backed by Jensen's narrative, the film calls on us to act as if we truly love this land. The film trips along at a brisk pace, using music... Written by Franklin Lopez
Hidayet Usta is a shoemaker in his early 80s who has made a living repairing shoes. Having separated from his wife years ago and with a strained relationship with his children, Hidayet lives alone, but contentedly in his own world.
