A middle aged woman is desperately wondering in the streets looking for her daughter. A man finds her before she does.
After blowing his professional ballet career, John's only way to redeem himself is to concoct the demise of his former partner, Leah, who he blames for his downfall; he rehearses his salvation in his mind in the way that he rehearses a dance, but being able to break from the routine will be the key to his success.
Adela has just settled in Madrid with her father, Claudio, a retired concert musician and a hermit. Both teach piano to small children in a quiet, sparsely-furnished flat in the centre of town.
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Through a series of auditions, a young actor in New York City struggles with his identity.
A young boy called Justen, who went through doleful past, discoveres a way to change his situation greatly.
The intersecting lives of two otherwise unrelated people in a rural Bolivian village adjacent to the Uyani salt flats are presented. The first is Carlos, a poor salt miner. Unlike his colleagues, he is unwilling to take the one time compensation package from an American conglomerate who wants to purchase the mining rights. Carlos would rather get paid for doing actual work than risk living off a one time payment without a guarantee of any other work in the area. Carlos being the one holdout irks his fellow miners, who cannot get their compensation until Carlos also agrees to the terms. Carlos views all gringos in a bad light because of this situation. The second is Marc, an American doctor who has worked in various third world countries providing aide where needed. Marc is completing his term here. Carlos and Marc have a turbulent few meetings based on Carlos' feelings toward gringos and his want for a simple stable life.
Aïssa is a Congolese immigrant in France. She says that she is under eighteen but the authorities consider her an adult. To determine if she can be deported, a doctor must give her a physical examination.
Short film spinoff of CONFESSIONAL featuring one of the minor characters.
A group of people is having a barbecue party when two Krishnas appear at their doorstep, both of which transform into hideous monsters and start killing everybody in gory ways. The survivors retreat to a friend's house and realize something bigger is going on...
Edward James Olmos narrates this multi-fest winner about an immigrant who recalls a vivid and momentous memory where he discovered his boundaries.
A man listening to Rachmoninoff's 'Prelude' dreams he is the victim of premature burial.
An alcohol/drug abuser re-examines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.
Guillaume is getting ready to meet his wife in the maternity ward where she has just given birth. But an unexpected phone call plunges him back into bitter childhood memories: his father, whom he has not seen for years, wants nothing more than to see his daughter-in-law and the newborn child.
Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005
Remi and Bastien are friends, easygoing, and soon to be nuclear engineers. They are about to choose between friendship and career. But in this world, there are no good or bad choices. There are only choices... And the choice is Remi's.
One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
A doctor must remove a parasite infestation from within a patient's breast.
It's Christmas night when Victor gets stranded in a deserted hotel in Baltimore. To pass the lonely hours, he decides that for first time in his life he's going to order the services of a call girl. When Victor mistakenly recognizes a beautiful young woman at the bar for the call girl, he is taken aback by her warm response to his shy approach. From this moment on, the line between real love and paid love quickly dissolves.
Homem
Mãe
Filha
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