In an Algerian village, the workers of a salt mine go on strike because of low wages. The owner calls the army to control the men, but a young woman cuts off the water to force the troops to retreat.
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Rima
the entrepreneur
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A killer on the run is found lying flat on his face in a wet clay bank. He is rescued by potters who shelter him within their community. There he falls in love with a woman. Unfortunately, another man who has been calling upon the woman gets jealous and turns the fugitive in to the cops. The woman gets revenge.
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
After her mother's death, Martina is unable to move on with her life. So she decides to preserve and honor her mother's memory by giving ceramic plates with meaningful illustrations to each of the town's inhabitants, thus continuing the family legacy.
Two kids accidentally steal Santas sleigh. It's up to Elvis the Rockin' Reindeer to save the day.
Stop-motion animation of putty modeling itself into faces.
Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.
an overly dramatic romance between a pet rock named Roxanne and a handsome action figure named Dwayne. But things get complicated when Roxanne's husband gets in the way of their relationship.
A worn out mother, Sara, seeks out the source of her child’s favorite lullaby.
Olivier de Sagazan disfigures his face into various creatures, human and nonhuman, to explore the strangeness of life and the body.
This film was reconstructed and completed in 1995 by Javier Codesal for the Filmoteca de Andalucia, from the montage and the sound that Val del Omar had outlined before his death, after having returned to a project abandoned twenty years before with the incorporation of significant additions (above all in the soundtrack). Val del Omar's notes show that, as he typically did, he had other alternative titles in mind, such as "Acariño de la Terra Meiga" (Caress of the Magic Land), "Acariño a nosa terra" (Caress of Our Land), or "Barro de ánimas" (Clay of Souls), and that in the final phase of the unfinished project he wanted to add a second sound channel – following the diaphonic principle, and using electro-acoustic techniques – consisting of ambient material that he intended to record at the first screenings of the film in the very places and to the very people that were its origin: its "clay".
The film tells of a music hall impressionist who caricatures personalities from the second world war. Animated by Barry Bruce at Will Vinton Productions. Preserved by the Academy Film Archive in 2012.
An erotic comedy in claymation.
Explores the nature of man, not only with feet of clay, but with a face of clay as well. Within a colourless city of walls, corridors, and small rooms, a man makes his way from home to work, then to a bar, and then, by a stroke of luck, into an outdoors of space, fresh air, and colour. Along the way, he changes his face to fit his surroundings, interacts with his dog, argues with co-workers, and gossips at a bar. His altering of his visage suggests a two-faced nature, and his stepping into the outdoors provides the ultimate test of his real identity.
Aardman's claymation to the song Barefootin'.
Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.
Jay Clay and Blue are wanderers in the wilderness. Blue vanishes and Jay is lost and alone. The anxiety in his mind and soul manifest in the form of the mighty giant, Canhead. Jay must overpower the giant if he is to live on and be reunited with Blue.
Whilst working on "the great South African novel," an unemployed writer gets caught up in the harsh realities of life in the city of Johannesburg.
A Hollywood horror tale centering on a B-movie actor who injects himself with a substance to keep himself relevant, only to find out that he can reshape his face and form, becoming a walking piece of clay.
