Robert Mitchum narrates an anti drug propaganda film.
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It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.
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1995. On the outskirts of Abidjan, the largest city in Ivory Coast, a policeman is murdered. Shot outside his vehicle, while his fiancée sits in the car, terrified. Superintendent Kouassi is the detective in charge of the investigation. Tall and lanky, he moves with the tired energy of a man who has seen it all. Drawing on a network of underworld characters with dubious information, Kouassi’s team begins bringing in potential suspects and subjecting them to horrific brutality: beating them with sticks, hanging them upside-down, threatening their lives. Some of the men are left so broken they have to literally drag themselves into Kouassi’s office later, to be interrogated while lying on the floor, their bodies a mess of bruises, broken bones, and lacerations.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Megacities is a documentary about the slums of five different metropolitan cities.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
This early, influential propaganda film blends documentary and studio footage to show the valiant efforts of the Royal Air Force to defend the British people against the Nazis.
A love affair with collectivist ideologies has lead to ever bigger government and the welfare-warfare state. Lead by a Marxist splinter group called the "Frankfurt School" -- "the long march through the institutions" has infiltrated every corner of Western culture to corrupt traditional Christian values with "political correctness," another name for "cultural Marxism." The ultimate goal of cultural Marxism is to first destroy American free-enterprise capitalism by undermining its economic engine, the Middle Class and this will lead -- they hope -- to the destruction of the basic building block of society: the Family Unit.
Tommy Robinson goes on the offensive by documenting how his own “hit piece” on his character was being constructed by the taxpayer-funded BBC for their popular investigative news special “Panorama.” In the film he manages to capture footage of the blackmailing of his former employees to invent stories, along with an organization—known as “Hope not Hate”—on set with the BBC, intimidating ex-employees of Robinson during interviews. The host of “Panorama” at the time of filming is caught on camera casually using racist and homophobic slurs during a £220 champagne lunch with the same ex-employee they had planned to coach for a fake interview in which the BBC would possibly edit in which to make it appear as, “a gender, a sexual thing against Tommy Robinson,” according to the host. Within 24 hours of releasing the film, social media giant Facebook made a public statement of their own and removed Tommy Robinson’s accounts permanently.
The personal and social tragedy of drug addiction with its evil accompaniment, drug traffic. Over the side of the silent liner in the darkness slips the package of smuggled narcotics, introducing us to the complex problem which involves all races and classes of man. We see many aspects of addiction - the addict preparing an injection, a group waiting tensely for their dope peddler; agents preparing and adulterating the illegal product; the police catching a pusher red-handed. International and national authorities are working from two angles - suppression of the illicit traffic; and where possible, rehabilitation of the addict.
Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.
Leading biblical scholars and religious experts discuss the implications of the Rapture, when prophecies predict that Jesus Christ will return to Earth and his true believers will be transported to meet him.
The true-life story of a Harlem's notorious Nicky Barnes, a junkie turned multimillionaire drug-lord. Follow his life story from his rough childhood to the last days of his life.
From can't miss future NFL star to incarcerated addict, former San Diego Charger Ryan Leaf shares insight into the choices and mistakes he made that changed his life forever.
See how alt-right icon Steve Bannon’s years as a documentary filmmaker catapulted him to Breitbart News and the Trump White House.
A film about the noted American linguist/political dissident and his warning about corporate media's role in modern propaganda.
This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.
A Nazi propaganda film made to promote anti-Semitism among the German people. Newly-shot footage of Jewish neighborhoods in recently-conquered Poland is combined with preexisting film clips and stills to defame the religion and advance Hitler's slurs that its adherents were plotting to undermine European civilization.
An unflinching look at the life and story of Mark Kerr between 1999 and 2001, an intelligent, articulate, and emotionally vulnerable athlete, considered by many at the time to be the most dominant ultimate fighter in the world. A former Olympic wrestler, Kerr easily dominated all his opponents, earning him the nickname "The Smashing Machine." With the promise of big money and the euphoria of his early victories, Kerr must battle his injuries and inner fears. The shock of these fights takes a heavy toll on his body and mind, and Kerr attempts to overcome these physical and psychological traumas by turning to painkillers. Kerr's addiction is shown in its raw form, with the camera capturing him desperately soliciting drugs from friends and staff, and injecting painkillers into his veins. His shocking defeat to Fujita in Japan shows us a story that is sometimes difficult and heartbreaking to watch.