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Rubens Fiuza
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The short documentary traces the fading light of Belém’s silver screens through the eyes of a young filmmaker and aspiring historian. With camera in hand, he sets out to preserve the stories of the three movie theaters that once defined the city’s cultural pulse
Four researchers record their perceptions as they walk through the patch of the BR-116 that goes through Canoas, Rio Grande do Sul, Brazil, looking for characters who’ve had their lives connected throughout the highway. The BR-116, the largest road in Brazil, crosses 10 states and connects Fortaleza to the municipality of Jaguarão, at the Uruguayan border, while also going through Canoas, splitting the city in two. The documentary brings testimonies from different people who share their life stories. “A Highway Movie” (2025) is the work that concludes Wender Zanon’s trilogy on Canoas, which starts with “This Is Canoas, Not Poa” (2021), followed by “Essays on a city” (2024).
"The End of Bolsonaro" follows the historic trial at the Supreme Federal Court (STF) that led to the conviction of Jair Bolsonaro for attempted coup d'état, portraying the end of an authoritarian era and the victory of Brazilian democracy.
The stories told by those who live from the Rio Potengi reveal the rhythm of the tides, flowing through memories, silences, and the strength of a river that resists between the mangrove, time, and the city.
Founding a social Muay Thai project in the North Zone of Rio de Janeiro, Mestre BG and his competitors face the adversities of an underfunded project and fight to win their place on the podium. The challenges intensify when one of the students, Raíssa Pacheco, secures a spot to compete in a South American championship in Uruguay.
A documentary that offers a powerful look into the lives of LGBTQIAPN+ artists who challenge prejudice and shine with authenticity amid the conservative reality of Brazil’s interior. Through sincere, unprecedented, and moving testimonies, it gives a voice to those who resist through art, exposes the struggles they face, and celebrates the pride of existing and expressing themselves even where intolerance still tries to silence them.
Amidst memories, dreams, and sensations, the youngest member of a family affected by cancer recounts stories about the love and longing left behind by his father, his sister, and Cajueiro beach.
Pelé, a retired nurse, revisits his memories as a performer in the Boi Tira-Teima group from Caruaru, Pernambuco. Between longing for the past and the impossibility of celebrating Carnival in the present, he imagines what it would be like to return to Carnival one last time.
