Rocky IV is dually symbolic - it embodies both the victory of the American boxer over the Soviet one and the victory of neo-liberalism over a dwindling socialism. Today, Rocky is held up as a model by some and is a subject of derision for others. An emblem of the 1980s, its culture and its heroes, the film will be the subject of an entertaining analysis of popular culture.
A record of what entertains the residents of Gardênia Azul, a neighborhood in the West Zone of Rio de Janeiro. On street corners, leisure activities in the community also reveal talents.
No overview available.
Follow all the behind the scenes of Cruzeiro Esporte Clube's conquest and celebration of the Sixth Brazilian Cup. Unpublished images and testimonies of the club's tenth national title.
Documentary by Leon Hirszman about the economic conditions of film production in Brazil, produced in 1975 with sponsorship from Embrafilme and kept unreleased since then.
From Italian set designer to Brazilian stage director, Gianni Ratto, born in Italy in 1916 and based in Brazil since 1954, retraces the geographical path of his life, accompanied by his daughter, passing through Genoa, Milan, Florence, São Paulo, and Rio de Janeiro, visiting places and people who marked his journey. At each encounter, Gianni speaks of his work and reveals the ideas of someone who not only executes but also thinks about theater from a humanist perspective.
A fictionalized biography on John Dall who was in two great movies - Alfred Hitchcock’s Rope (1948) and Joseph H. Lewis’ Gun Crazy (1950).
A making-of directed by Bodanzky himself, the documentary discusses the language of the film Iracema - Uma Transa Amazônica 30 years after it was made, gathering interviews with the authors, actors, critics and the filmmakers themselves.
In the interior of Sergipe, a musical rhythm fills the parties and moves people. Music lovers and singers of the genre share their stories and how arrocha affects them.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
Four researchers record their perceptions as they walk through the patch of the BR-116 that goes through Canoas, Rio Grande do Sul, Brazil, looking for characters who’ve had their lives connected throughout the highway. The BR-116, the largest road in Brazil, crosses 10 states and connects Fortaleza to the municipality of Jaguarão, at the Uruguayan border, while also going through Canoas, splitting the city in two. The documentary brings testimonies from different people who share their life stories. “A Highway Movie” (2025) is the work that concludes Wender Zanon’s trilogy on Canoas, which starts with “This Is Canoas, Not Poa” (2021), followed by “Essays on a city” (2024).
Habito tells the story of a poor, fat black man in pursuit of his dream of being a filmmaker, facing academic and personal challenges after his mother is diagnosed with breast cancer. A narrative that intertwines life, family and cinema, exploring the roots of Alagoas and Bahia.
Soia Lira
Buda Lira
Vittor Blam
Fabíola Ataíde
Sanzia Pessoa
Selma Camburão
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