A documentary essay that, through exclusively images, music and editing, aims to show a different image of the manipulated Andalusia that had been present on movie screens for many decades.
Cante (voice)
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An experimental and iconoclastic journey through the Spanish Holy Week in the late sixties.
A young drag queen from Andalusia exposes the difficulties of adding aspects of her homeland culture to her artistic expression.
A compiling documentary about Seville "Spain". It reflects with sarcasm some of the deepest problems and stereotypes associated to Andalusians, and depicts them as the consequences of capitalism.
Filmed in Cordoba, Granada, Seville, and Toledo, this documentary retraces the 800-year period in medieval Spain when Muslims, Christians, and Jews forged a common cultural identity that frequently transcended their religious differences, revealing what made this rare and fruitful collaboration possible, and what ultimately tore it apart.
The film shows the genesis of the El Rocío pilgrimage and unveils the economic, socio-political and religious reasons and interests that nurture the phenomenon.
The landscape of the olive grove is the protagonist of the Mediterranean territory and is shown in this documentary at ground level and from a bird's eye view, in different unique locations of the Iberian Peninsula. From the Somontano de Barbastro in Aragón, to the south of Andalusia, with a sea of olive trees, in the mountain ranges or in the fertile plains and riverbanks. A humanized territory that, for centuries, has been sculpting history and this, not only giving a characteristic identity to our landscape, but also outlining the gastronomic tradition and culture of the Mediterranean.
In the town of San Antonio in Guerrero, Mexico, lives my mother, Amelia, a 60-year-old woman who leads a quiet life on her ranch, tending to the land and her husband. With the arrival of Holy Week, she is joined by my niece, Rosario, her granddaughter, whom she teaches about religious traditions. Their encounter quietly evokes questions about the role of women in my town. Despite the generational differences, they see themselves reflected in each other and share a deep desire to transform our destinies.
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The documentary Felipe González approaches some of the most important facets and stages of the Andalusian politician's life, before becoming President of the Government of Spain: his early years, his high school studies at the school of the Claretian Fathers in Seville, his years in the Catholic Action University Youth and the Catholic Workers' Youth, his entry into the Spanish Socialist Workers' Party (PSOE).
Fernanda Ocaña, a 60-year-old drag artist from Seville, left her hometown at 14 to build a life in Barcelona. Taken in by the iconic Spanish artist José Pérez Ocaña, she immersed herself in the world of show business. Today, she continues to shine as the host of the Bar Ocaña in Plaza Real, welcoming guests with her unmistakable charm.
In this visual essay, author Alexandra Heller-Nicholas reflects on the recurring theme or perception in Dario Argento's filmography.
A documentary about the inner, unknown world of the brotherhoods, a universe of its own with its own laws, rules, and philosophy far removed from religion, which were (and in many ways still are) foreign to most people, especially the non-Andalusian majority in Spain. It is the only audiovisual document that captures the pivotal moment for the "people at the bottom" when professional bearers (dockworkers, day laborers, and various other wage earners) are being "pushed out" of the brotherhoods and replaced by fellow bearers. From an anthropological perspective, "Costaleros" projects peculiarities of Andalusian culture that are often misinterpreted and misunderstood from the outside.
This short documentary, with its aim of exposing the festival from the perspective of Andalusian culture and anthropology, delves into the complexities of this celebration. Understanding how difficult it is for outsiders to grasp that a saint could be a member of the UGT (General Union of Workers) during the Civil War and possess a membership card, we gradually decipher the festival while simultaneously revealing features common to many other celebrations deeply rooted in the culture and popular religiosity of the Andalusian people, such as the presence of a communist mayor presiding over the saint's procession and offering cheers.
Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.
A random apparition leads to the aquatic ape theory, an unproven evolutionary hypothesis that imagines an amphibious origin of humans. The idea of a certain origin is called into question, and if we cannot verify the past, on what do we base the future?
Documentary about Seville's hip hop scene.
Seville, Spain, 14th century. A group of black slaves brought from Africa form the Hermandad de los Negros, a Holy Week brotherhood that has survived over the centuries, despite the opposition of the powerful; still active, it is one of the oldest institutions in Europe.
