A movie about the crowds that make the film alive
In under 3 hours for the annual Joel Haver’s “Make a Movie During the Oscars”, Clenny Kwok documents the crowd of Chatswood on one normal day.
Some Madurese choose to live outside their homeland, migrating to build a better life. Surabaya has become one of the destination cities for the Madurese people. They work hard, pursuing various professions. some of them are owning a scrap metal business.
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The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
Sven has a dream. Once in his life he wants to walk the Camino de Santiago - the Way of St. James. But that seems impossible, Sven has Usher syndrome, a disease which slowly, inexorably robs him of hearing and vision. Profoundly deaf and completely blind since 2010, he can only communicate using a special hearing aid in the spoken language.
In 1954, a German-Austrian expedition led by Mathias Rebitsch set off for the difficult-to-access Karakoram Mountains, geographically north of the Himalayas. They come across the Hunza, a people who live in the valley of the same name and believe they are descended from the soldiers of Alexander the Great. The documentary conveys impressions of the poor life of the Hunza people, the harvest, a court hearing, festivals and the children's everyday school life. Finally, the expedition sets off again and sets up its main camp on the moraine ridge of a glacier, where they measure the glacier and the earth's magnetic field. Finally, some men from the research community set off for a sub-peak of Batura.
Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.
The documentary “Together” addresses the diverse relationships between groups and their members, it explores what kind of influences a group can have on the individual.
The ninth opus of his Walker Films series, which was shot at Centre Pompidou.
For over 6 years, Matt Green, 37, has been walking every street in New York City – a total of more than 8000 miles. The World Before Your Feet tells the story of one man’s unusual quest and the journey of discovery, humanity, and wonder that ensues.
After twelve years in exile, Syrian journalist and filmmaker Daham Alasaad returns to Homs, devastated by the war in Syria. Once the city of his childhood, it is now a relic of an authoritarian regime, where different communities (Sunnis, Christians, Alawites) are trying to rebuild their lives together after terrible years of division and destruction. Thanks to Daham Alasaad's close relationship with the city's inhabitants, the director highlights some very moving characters, torn between grief, fear, the need for justice, and the desire for peace and reconciliation. By opening up naturally to the camera, they allow viewers to experience what Syrians of all backgrounds are going through today. "Homs-Syria, Life After" is a personal and political investigation into the ability of this symbolic city to rebuild hope on the ruins of a Syria ravaged by more than fifteen years of war and facing an uncertain future.
Walking 5,800 miles around the United States, Veteran Jonathan Hancock uses the solitude of the road and the company of his fellow Marine brothers and the families of their fallen to successfully manage his wounds from war.
A journey into four classical elements through the four main characters of the film. The main characters in the movie represent each of their own elements.
A lonely individual embarks on a scenic drive up a mountain, seeking fresh air and a renewed perspective. At the summit, they wander through serene surroundings, allowing the natural landscape to provide a mental reset and offer clarity—a deliberate retreat to refresh both mind and spirit.
Tommy sets out to document walking. He meets a colorful cast of characters, attaches microphones to his feet, and contends with what it means to capture movement on film.
Julia Bradbury heads for Iceland to embark on the toughest walk of her life. Her challenge is to walk the 60 kilometres of Iceland's most famous hiking route, a trail that just happens to end at the unpronounceable volcano that brought air traffic across Europe to a standstill in 2010 . With the help of Icelandic mountain guide Hanna, Julia faces daunting mountain climbs, red hot lava fields, freezing river crossings, deadly clouds of sulphuric gas, swirling ash deserts and sinister Nordic ghost stories as she attempts to reach the huge volcanic crater at the centre of the Eyjafjallajökull glacier.
Rotterdam 2040 is a film about the city’s future, departing from the principle of Gyz La Rivière that you can’t look ahead without considering your past (something that hasn’t always been Rotterdam’s strongest feature). At high speed, La Rivière reconstructs the history of Rotterdam from the time before the bombings until now, and expands the developments to the year 2040 (100 years after the bombing and the 700th anniversary of the city). La Rivière made a specific choice to expose his personal vision, which is sometimes radical or a little absurd. So no experts and no talking heads, but an assault of old and new imagery, held together by La Rivière as the narrator of the film. Although Rotterdam 2040 deals with architecture and urban renewal, it is actually a film about people. The subjective experience of the city by its (future) occupants mainly determines the parade of architectural blunders and suggestions for the future. All tongue-in-cheek of course.
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