This film, photographed in London, is an exploration into the depths of unconscious reactions.
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The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work.
After losing his job and realizing that he is alone in the world, a businessman opts to voluntarily end his life. Lacking courage, he hires a contract killer to do the job. Then, while awaiting his demise, he meets a woman and promptly falls in love.
Based on the Alan Sillitoe short story. Tony, a worker at a cheese factory, is also a petty thief. He moves from robbery after robbery until he meets Doris, the daughter of the local ragman. Slowly, he falls in love with her and must decide whether he will stay a thief or start a new life with Doris.
A writer is persecuted by an enormous and abusive letter 'A'.
Good policing doesn't necessarily mean doing everything by the book. But as the business of crime in London turns to favour the Albanians and Turks, how does a "good" policeman survive?
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
A beauty salon owner puts on a cabaret.
An agile waiter unmasks a cabaret conjurer as a thief.
A seemingly harmless party game leads to a horrifying spiral into madness, violence, and cosmic horror.
May 1944, a group of French servicewomen and resistance fighters are enlisted into the British Special Operations Executive commando group under the command of Louise Desfontaines and her brother Pierre. Their mission, to rescue a British army geologist caught reconnoitering the beaches at Normandy.
A serial killer named The Shark is terrorizing London by killing his victims with a speargun and then, dressed in a scruba-diver's wetsuit, using the city's sewer tunnels to make his getaway.
Benjamin Franklin Gates and Abigail Chase re-team with Riley Poole and, now armed with a stack of long-lost pages from John Wilkes Booth's diary, Ben must follow a clue left there to prove his ancestor's innocence in the assassination of Abraham Lincoln.
Flighty Emily "Jacks" Jackson works for the British edition of Vogue magazine. Rather than pursue a relationship, Jacks regularly hooks up with her devoted ex-boyfriend, James Wildstone, and lives with Peter Simon, a gay screenwriter. When Jacks meets Argentinian photographer's assistant Paolo Sarmiento, she assumes he is gay and tries to bring him and Peter together, unaware that Paolo is straight and in love with her.
Both Scotland Yard and an amateur American sleuth are tracking a master criminal known as The Frog. This moniker refers to the bulging-eyed mask worn by the evildoer, and is reflected by the frog icons painfully tatooed onto the forearms of his henchmen. The trail leads to the country manor of an enigmatic, steely-eyed nabob, whose repressed son has eyes for the artistes at the Lolita cabaret, and whose lovely daughter captures the fancy of both the American playboy and the villain himself. Murder, kidnapping and seduction ensue.
With the wedding of her younger sister fast approaching, Kat Ellis faces the undesirable prospect of traveling alone to London for the ceremony. While this is bad enough, Jeffrey, the man who left her as they moved closer to marriage, happens to be the groom's best man. Determined to show everyone -- most of all Jeffrey -- that her romantic life is as full and thrilling as ever, Kat hires a charming male escort as her date.
A family portrait session goes horribly wrong, as secrets and jealousy bubble to the surface under the photographer's watchful gaze.
Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.
One of humankind’s greatest achievements has been to walk on the moon. It was marked in history as a phenomenal success. What if that first step had turned out a little differently? As Neil Armstrong is about to take his first step on the moon, something catches his eye in the distance. Naturally curious, he leaps out into the unknown territory to investigate. What he finds will forever change the course of human history.
Tells the story of Mr. Softee, a mutant hybrid with an ice cream cone for a head, who was the victim of the anti-miscarriage drug "Nodroppinum" which changed the pregnant mother's child into whatever food she craved at the time (a parody of the Thyladimide scandal from the 60s.) Softee was the head of an ice cream company, until he was forced out of business by the artificial ice cream mafia, led by Don Tofutti.
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