A film about the painter Ludwig Richter
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An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.
A tribute to the late Pat Schulz, an influential Canadian feminist.
Director James Nguyen will release his short documentary film, CLIMATE FIX which suggests how carbon removal technology can be used to fix climate change-global warming.
TV-documentary about the German painter Carl Spitzweg
On the morning of her birthday, eight-year-old Katja learns what she has been afraid of for a long time: her parents want to separate. Instead of going to school, she takes the train into town to visit her older sister. Her sister tries to explain to Katja why everything happened and how things might continue.
To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.
Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.
A candid monologue by Anastasia Reshetova in short film format. Memories of a difficult childhood. The story of an ordinary girl from a residential area. Great love and a tragic breakup. Motherhood. Through pain and disappointment to new heights.
In the coastal village of Amed, Bali, life moves to a rhythm set by the sea and the volcano. However, an unexpected change is taking shape on the courts: the global rise of pickleball. "Shifting Courts" is an observational documentary short that explores how this sport has become a silent bridge between the local community and the outside world, capturing an intimate look at Balinese identity in the face of globalization and international tourism.
Each portrayed painter produced an experimental animated short film to be featured in this film. A short film by Herbert Seggelke.
Vermeer: Master of Light, is a visual quest in search of what makes a Vermeer a Vermeer. It is a journey of discovery, guiding the viewer through an exploration of Vermeers paintings and examining the secrets of his technique.
The film is about Russian silent movie star Alexandra Khokhlova. She was the first Soviet blacklisted actress. In her 90es, Khokhlova acts in this extraordinary documentary: she acts herself. Film critics recognised her appearance here as the last and brilliant role of great actress.
40,000 years in the making: Kogonada's video essay created for The Connected Series.
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The plot follows professional wrestler Gia Adam and Teacher Gabrielle Brown as they slowly unite and face their biggest challenge to date.
Shows images of refugee routes along the Swedish-Norwegian border.
Searching for a connection with her mysterious, austere grandfather, Ora DeKornfeld travels to his childhood home in Hungary, where she is swept up in nothing short of a fairytale. The childhood home turns out to be a castle on a 6,000-acre estate. Her grandfather was a baron, and their family was central to the economic and cultural lifeblood of the local community. Suddenly, Ora finds herself ushered through town, meeting curious locals at every corner who greet her with warm hospitality. A question emerges: why would her family leave all this behind? The town, like her grandfather, holds its painful history at arm’s length. Moving between fable and reckoning, whimsy and grief, this deeply personal film explores an identity shaped equally by what was lost and buried and what was lovingly preserved.
A single ordinary day in a big city. The heroine of the film is never fully revealed we see only her feet, her steps, the rhythm of her movement. Through this movement, we travel with her across the city, discovering fragments of her day. In the morning, she leaves her home and merges with the urban flow. She walks through the streets, passing dusty construction sites where the city’s constant transformation blends with everyday life. She goes to work, then stops at a small café, where the usual chaos continues. Traffic builds, people wait at bus stops, cars stand still, and the noise of construction fills the air. Within this environment, her steps move forward, becoming part of the city’s rhythm. By the end of the day, she meets her lover. Once again, we see only feet, small gestures, subtle movements. The film becomes a collage of urban moments a mixture of staged and documentary observation where the invisible presence of one woman connects the scattered pieces of the city’s life.
A trip down memory lane, and an actual lane.
