A tribute to the late Pat Schulz, an influential Canadian feminist.
A series of short winter scenes.
I have been pretty satisfied with my life before I got on the bus. When I do in June 2011, my whole life turns upside down. I am just a regular passenger at first. Like other people I was sorry, and felt obliged to help and care for other passengers. Then I begin to film these common heroes with my camera. Those who speak about hope, who provide it and get on the bus, Ms. Kim Jin-suk, and other crane laborers who risk their safety while demonstrating for their rights on high. She, while stationed insecurely on high, begins interacting with the world through Twitter and makes friends. Then I realize I really love her. Will we have her back safely?
A Woman's Place is the first film about the UK women's liberation movement. Crockford and her co-producers Ellen Adams and Tony Wickert document the movement's first national conference and march and examine its demands. The film records impassioned discussions and speeches, as well as the humour of the marchers. It also includes interviews with members of the public who give their perspective on women's liberation Crockford made the film as an attempt to see 'whether other people could be engaged by what I believed in'.
Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.
Documentary on Antoine de Caunes, a French television presenter, comedian, actor, journalist, writer and film director.
This documentary traces John Cena and The Rock's individual paths to success in WWE and take an in-depth look at the lives of these polarizing figures.
A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.
Interviews and performance footage are used to provide an overview of the women's music scene.
Exploring the rise and fall of the groundbreaking animated series Ren & Stimpy and its controversial creator, John Kricfalusi, through archival footage, show artwork and interviews with the artists, actors and executives behind the show.
One Saturday morning, filmmaker Madison Thomas has a revelation: she’s just like her mother. As she thinks about a friend going through tough times, she feels the sudden urge to clean. Through the scrubbing and wiping and rinsing, Madison's thoughts drift to her mother — and her obsessive need to tidy. Madison’s mother survived a traumatic childhood: her own mother never reconciled what she went through at residential school. Cleaning offers moments of control that she didn’t have as a child. She’s fought hard, against all odds, to become a strong woman. They say trauma is in the genes, that it’s passed from one generation to the next. But strength is inherited too. Through rituals as simple as spending time together and smudging, Madison and her mother are beginning to mend the cycle of pain in their family. Declutter is an intimate look into a private moment between mother and daughter and the strength that carries them both.
SOUND OF THE SOUL is a compelling portrait of an Arab country where Muslims, Christians, and Jews have lived together in relative peace for centuries. Beautifully photographed during the Fez Festival of World Sacred Music, the film presents unforgettable performances from groups from Morocco, Ireland, Russia, Afghanistan, Mauritania, the USA, Portugal and France, which carry viewers into what the film's Moroccan sufi guide calls "the hearing of the heart": the essential Oneness at the core of all religions and faiths.
Artin, a young Iranian bodybuilder, and Jahan, a Kurdish man who recently discovered his love for painting, live in Kærshovedgård, a former prison now used as a deportation center.
Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.
Brothers addicted to speed at any price. Documentary following the motorcycle road racing careers, and fate, of the Dunlop family.
The Dreamers (1985) is a posthumous short film assembled by Oja Kodar from unfinished footage directed by Orson Welles in 1982. Edited after Welles’s death, the film derives from fragmentary material intended for an uncompleted adaptation of stories by Isak Dinesen. The 1985 version represents an editorial assembly rather than a completed work authored by Welles, presenting selected footage in a reconstructed form for archival circulation. (Note: This is a posthumous editorial reconstruction. The original 1982 project exists separately as an unfinished Welles work and was never completed or released by him.)
For the 750 dogs that live in a Moroccan shelter, the daily routine consists of eating, resting, a bit of fighting and eating again. Could they possibly expect more from life? A pointed, cinematic commentary on mass confinement.
Intimate views of the movie stars of the Silent Era, at work and play; featuring Sessue Hayakawa, Lillian Gish and others.
An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.
Filmed in part in front of a live audience at The New Amsterdam Theater in New York City, this Stan Lee tribute takes viewers on an action-packed journey throughout the life of Lee and across the Marvel Universe, sharing never-before-seen interviews and archive footage with Lee himself from deep within the Marvel and ABC News archives.
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Pat Schulz
