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'Figure I' uses a feminist perspective to frame and deconstruct patriarchal techniques of control. This film asks: how was a patriarchal gaze construct-ed, and how has it come to effect biological processes? How have specific tools (like Dürer's Grid) come to shape our technological present and possible futures? Are modern Western scientif-ic/mathematic/technological/medical structures rooted in extractive patriarchal philosophies? 'Figure 1' is composed of re-drawn illustrations of allegorical art historical paintings and etchings, alongside archival footage, Obstetric photography, and rotoscoped animation.
A portrait of Rosa von Praunheim's neighbor, who worked for decades as a professional dominatrix in Berlin's Wilmersdorf district. While the real Lady MacLaine reflects authentically and wittily on her life and work, her life is retold in dramatized scenes.
From a vast record of 750 days, 5000 hours, Official Film of the Olympic Games Tokyo 2020 SIDE A and SIDE B are the official documentaries by Naomi Kawase capturing not only the athletes gathered from all over the world, but also their families, people involved in the Games, volunteers, medical personnel, and protesters shouting for the cancellation of the Olympics.
A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
Afonsinho, Paulo Cézar Caju and Nei Conceição started their careers in the mid-1960s, a time of strong political repression in Brazil. Originally teammates of a celebrated generation of the Botafogo football team superstars, they did not give up their freedom when the military dictatorship decided to take control of the field.
This documentary features sexologist and writer Betty Dodson as she assembles a group of women to discuss the appearance and purpose of female genitalia. The discussion is followed by some group self-stimulation exercises and full-body massages.
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A documentary about the 1972 Winter Olympic Games in Sapporo, Japan.
More than twenty sports journalists – working mainly on television (BeIN Sports, RMC Sport, France Télévisions, Canal+, TF1) but not only (L'Équipe, Radio France) – testify to the anger, despondency and helplessness they felt when they had to endure the “Yucky jokes”, the « culture de boy’s club » and degrading insults on social networks, while at the same time the presence of women in these programs and in the press has increased. Without forgetting the misogynistic comments, the heaps of small sentences on the physique or the competence, the sexual innuendos… until the moral or sexual harassment.
Six professionals in the audiovisual field share their experiences through a visual and sound sensory journey
The 2006/07 season has proved a rollercoaster ride for Chelsea FC and its fans but once again the club emerged triumphant with two more cups to add to the trophy cabinet and many more wonderful memories to savour. For the majority of the season, José Mourinho and his players battled to achieve what no other team had managed in the history of English football - the quadruple! Eventually injuries, which had dogged the side throughout the campaign, and fatigue caught up with them and they had to settle for a cracking double with victory in the Carling Cup and FA Cup. The Blues defeated their arch-rivals Manchester United with a dramatic victory in the first FA Cup at the new Wembley Stadium to complete José Mourinho's collection of medals in English football. This programme is packed with the action, drama and goals from this incredible 2006/07 season. Relive all these wonderful moments time and time again.
In both amateur and professional sports, being gay remains taboo. Few dare to come out of the closet for fear of being stigmatized, and for many, the pressure to perform is compounded by a further strain: whether or not to affirm their sexual identity. Standing on the Line takes a fresh and often moving look at some of our gay athletes, who share their experiences with the camera. They’ve set out to overcome prejudice in the hopes of changing things for the athletes of tomorrow.
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
This year, Brad Kremer finds a new home at Mack Dawg Productions, bringing his trademark manic energy, humor, and flawless eye for shooting snowboarding action to Chulksmack. As you’d expect, Mack Dawg once again ‘ups the ante’ with some of this season’s burliest jumps, jibbing, street rails, and awe-inspiring tricks from the world’s top athletes. Chulksmack, a 17mm snowboard film. One millimeter better.
The last of Robot Food's trio of snowboarding movies, following their previous releases "Lame" and "Afterbang". Afterlame attempts to break away from the traditional snowboard highlight flick and showcase the fun and creative side of the sport, while detailing how it brings a group of friends together.
An in-depth look into the isolated sport of Motocross in the much more isolated island of Bermuda.
The story of Freestyle Motocross legend Travis Pastrana is told through action-packed race footage, rare personal film, interviews with Pastrana and his family, and much more.
“Being French in 2024 means being able to serve as Prime Minister while openly gay.” With these words closing his policy speech on January 30, 2024, Gabriel Attal made history. The documentary *Homos en politique: le dire ou pas?* uses this milestone — the appointment and visibility of France’s first openly gay Prime Minister — as a springboard for a broader inquiry. Journalists Jean-Baptiste Marteau and Renaud Saint-Cricq travel across France to meet LGBTQ politicians of all generations, from Paris to rural towns. Eleven years after the protests against same-sex marriage, has France really changed? Through interviews with figures like Bertrand Delanoë, Sarah El Haïry, Jean-Philippe Tanguy, Franck Riester, and others, the film explores how coming out intersects with politics, homophobia, and representation — questioning whether saying “I’m gay” in politics is still an act of courage or simply a sign of the times.