A generative documentary about artist Brian Eno, with 52 quintillion possible iterations, so that no viewing is the same twice.
Self
Self (archive footage)
Trailer
Robert McGinnis' career as an artist is explored from the 1950s when he gained fame as a painter for Dell paperback book covers, through the 1960s when he created posters for such movies as "Breakfast at Tiffany's", "Cotton Comes to Harlem" and numerous James Bond features, up to the present as a magazine illustrator and landscape painter.
Spit Earth: Who Is Jordan Wolfson? is a feature documentary film about this controversial and divisive artist who in the ensuing five years has only solidified his stature with unnerving and provocative new works that elicit extreme reactions from both critical naysayers and vocal proponents alike. Wolfson is not content to play by the rules of a conservative self-policing art market that favors the status quo, instead preferring to make us squirm as he engages a host of lightning-rod issues facing our society today; homophobia, misogyny, racism, white nationalism, antisemitism and violence to name but a few. Wolfson is an art maker on the world stage whose immersive works take on today’s endemic virtue signaling and politically correct narratives, veritably throwing it all back into our faces.
In this interview with contemporary witnesses, painter and director Jürgen Böttcher talks about some stages of his professional career. This also includes his path to film art and his work at Deutsche Film AG (DEFA) in Potsdam-Babelsberg. He also tells of his experiences during the shooting of films such as "Barfuß und ohne Hut", "Rangierer" and the documentary film "Jahrgang 45", once banned but finally re-released at the Berlinale 2015. During the conversation, questions about the difference and similarities between painting and film, the significance of music in film, Böttcher's preference for black and white, and his criteria for choosing topics for documentary film projects will be discussed.
No overview available.
A 1993 portrait of rock singer and poet Nick Cave, a versatile artist who gained importance over the years. Jacobson also wrote the scenario that was built around a long conversation with the singer. From Australia and his work with the Birthday Party to his current city, Berlin, with The Bad Seeds.
Henri Matisse's great-granddaughter Sophie traces the story of how the artist fought personal tragedies and critical ridicule to become one of the most important and influential painters of the 20th century.
When you look at a river, what do you see? Remembering Holland by Jan Wouter van Reijen carries the viewer through the basin of the River Waal, past painters, sculptors and poets. Van Reijen follows the entire course of the river, from the German border to the North Sea, and creates portraits of various artists who have taken the riverine landscape as their theme. Each and every one of them sings the river’s praises in his or her own way, from extremely realistic to abstract. At every spot along the way, and each day anew, the river landscape changes: we see the water dark and colorful, glistening in late and early light, in morning dew and by moonlight, in clouds of mist and the snows of winter. Yet the water brings more than beauty alone. The flooding of the forelands and the reinforcement of the dykes in 1995 remind us of the eternal struggle of the Dutch against the rising water. See it and be borne along on a voyage of the imagination.
The life of pop superstar Sarah McLachlan comes alive in this intimate documentary that has McLachlan talking about her fame, her loves, her family and her music. Learn about her relationship with her adoptive parents, when she first discovered her musical talent, and how she came up with the idea for the Lilith Fair music festival. The film also includes performances of hits "Building a Mystery," "Into the Fire" and "I Will Remember You."
Helge Schneider's extraordinary talent is his ability to improvise which shows his unfailing creativity. "I paint the everyday-life in the brightest colors myself", he says about himself. Reality and fiction are tough to tell apart in his life. How does a man like him, who doesn't want his audience to know too much about himself, react on a documentary portraying him as a person?
Satirical artist and art director, Suzanne Heintz, adopted her fake family more than 15 years ago to challenge persisting stereotypes about women's lives.
The film begins with a sun materializing out of the emptiness of space. In the first of three sequences we see various images from nature against music: the sky, trees, leaves, a bird, water, sand, a beach. A little boy wanders along the beach observing the natural world around him. He walks and presently comes to a house and peers inside. The second sequence has no music. The narrator speaks of sculptor Alexander Calder and his work, as we see Calder in his workshop, cutting and creating unusual shapes, and seeing the resultant artworks. The last sequence has music as we view images of Calder's work. However, now they are intercut with images from nature so that we understand that Calder's inspiration is the natural world around him. The film ends as it began, with an image of the sun, now fading into the sky.
In this cinematic fairytale, Francisca Newman, a psychologically disturbed ballerina, fails at her life audition. Her perfectionism starts to take a noticeable toll on her mental health, where in a world of passion and beauty, sensibility and enlightenment becomes darkness. In this increasingly violent and surreal competition at the hands of her own reflection, a familiar voice starts talking to her as an old forgotten friend. A voice that takes her on a journey through her own memories in order to find herself, before her reflection becomes a stranger.
"GENERAL IDEA: Art, AIDS and the fin de siècle is a humorous, informative and ultimately poignant documentary about General Idea. Formed in 1969, they produced art that targeted and mimicked media, consumerism and celebrity, creating a revolutionary new spirit of art making. Interviews with AA Bronson, the sole survivor of the trio, lends personal relevancy to this story of art and sexual politics. GENERAL IDEA: Art, AIDS and the fin de siècle is a tale of love, fame, overwhelming loss and, ultimately, renewal." -AGO.net
Using a specially designed transparent 'canvas' to provide an unobstructed view, Picasso creates as the camera rolls. He begins with simple works that take shape after only a single brush stroke. He then progresses to more complex paintings, in which he repeatedly adds and removes elements, transforming the entire scene at will, until at last the work is complete.
The documentary shows the world of the surrealist Canadian artist Alan Glass, his work, his home, his friends, his boxes, all his universe is presented through the point of view of art critics, artists and friends.
The 1960s opened with La Dolce Vita by Federico Fellini and its unforgettable lead: Marcello Mastroianni. The actor seemed to glide effortlessly through his roles — and through life — as if to say that life is not all that serious, or perhaps that it is far too serious not to be laughed at. But what kind of man was hiding behind the actor with the handsome, boyish looks, who appeared so gentle and nonchalant?
Charles Rennie Mackintosh, architect, designer and artist is celebrated around the world as one of the most significant talents to have emerged in the period from the mid 1890s to the late 1920s. He was one of the greatest, most original talents of this time and has been judged a precursor of firstly the modernist style and subsequently of the Art Deco movement. His legacy lives on all around us in his instantly recognisable style. A MODERN MAN takes a critical look at Mackintosh’s life and artistic career and the importance of the friends and patrons who provided him with regular work when it mattered most.
The film examines Mackintosh's iconic buildings, notably the Glasgow School of Art. Interwoven with his architecture, design and watercolours is the personal story of Mackintosh. Little known at home, his work found favour on the continent. In later years he struggled for work, and came to endure real poverty, but continued to create remarkable pieces of art.
Charlie Brouwer, a Virginia sculpture artist, shares his experience of becoming legally blind later in his career. Unexpectedly, he finds acceptance through an unlikely muse.
In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.
