Nothing happens, and that’s all
A group of young people spend an afternoon on an outing in La Arboleda
Upon moving into a new apartment, a young woman finds herself surrounded by strange events. Curious about the reasons behind the occurrences, the young woman is sucked into memories and daydreams, remembrances and forgetfulness, places and non-places.
A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.
Martin (Joe Newton) is a casualty of society. He is under appreciated and overworked as a salary man in the city. With mounting pressure on his shoulders, he experiences a breakdown at work and loses his job. After visiting his childhood home to collect some possessions, he opts not to go home but instead chooses to live off grid in the vast woodland. Here he attempts to survive, to try and find himself again, through being amongst nature and his love of writing poetry.
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On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.
He's here and waiting. While time, history and ideas repeats themselves he watches the ages pass as usual. In the end, the left eye of Mars will return to him uninjured. A five-part experimental film about the antics of modern society and the struggle of our beloved "Mars"
A woman wanders through the woods
A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
The Road is a deeply personal experimental film by Jana Hammoudeh, chronicling her journey as a nomadic soul, always on the move yet never truly belonging. Shot across three separate road trips, the film blends visual poetry with intimate monologues in multiple languages, reflecting the fragmented nature of the protagonist’s life. The film’s segments—Leaving Amman, Scrambled Eggs, and Postcards to a Friend—explore themes of love, loss, and freedom. The first segment, set in Amman, presents a conflicted relationship with home, inspired by Charles Bukowski’s Let It Enfold You. The second, in French, revisits past romances, while the third, narrated in Kazakh and Urdu, contemplates departure and longing. Through dreamlike cinematography and raw reflections, The Road captures the bittersweet beauty of transient nature of life and self-discovery.
A dog is abandoned by its owner.
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
As a young woman walks home alone one night, a chance encounter with a missing dog incites the reclamation of her body and self — as she learns to bite as tough as her bark.
Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.
A military explorer meets and befriends a Goldi man in Russia’s unmapped forests. A deep and abiding bond evolves between the two men, one civilized in the usual sense, the other at home in the glacial Siberian woods.
A film killing itself.
Two strangers, Edith and Richard, are brought into the home of a strange couple, Aloysius and Sebastian. They are faced with bizarre and strenuous scenarios challenging their very being. They must adapt in order to survive.
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Valen
Alba
Aingeru
Alex
