A memorable record in one summer time, time passes and pull the past and present together. This is an audio-visual diary from an alternate time.
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Letter to the Young Intellectuals of Hong Kong is a 35mm film that utilised and appropriates footage from a documentary Henry Moore exhibition in Hong Kong, through over-dubbing, painting directly onto the film and other gestures, Mok turns the material into an incendiary address to Hong Kong's youth. Intercut with newly filmed material creates, the film also functions as a personal diary of Mok's political activity throughout the 1970s.
A documentary essay that, through exclusively images, music and editing, aims to show a different image of the manipulated Andalusia that had been present on movie screens for many decades.
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In this visual essay, author Alexandra Heller-Nicholas reflects on the recurring theme or perception in Dario Argento's filmography.
A random apparition leads to the aquatic ape theory, an unproven evolutionary hypothesis that imagines an amphibious origin of humans. The idea of a certain origin is called into question, and if we cannot verify the past, on what do we base the future?
An philosophical film assembled from archival NASA footage exploring humanity’s search for meaning in the silence of space.
It could be said that space is never just the absence of matter, but is somehow a step ahead of it. As such, it is the initial principle of what is emerging. The dancers and their movement are embedded in multiple layers of materiality such as texture, skin, air, floor, movement, sound in this poetic short dance film. Just as a membrane envelopes and defines the most basic structure of a cell, it also teaches us about the multi-directionality of our attention. The intelligence of boundaries/“membranes” as spaces of response, bring us a sense of containment, limits and at the same time, provide a doorway through which we turn towards the other.
A film essay that approaches cinema as a water current, revisiting a body of previous essay films through the recurring image of water—rivers, seas, tides, and flows—to explore cinema as a fluid space of memory, movement, and transformation.
