Documentary about the production of a radio in the Saba factories.
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A short documentary that begins with an experience of Uriel, a young trans man, and then draws an analogy with a part of human identity tied to the name we are given at birth.
An experimental study of nature through three stories and how we have destroyed it.
A short film on Chris Marker
Filmmaker Marc Fafard examines the historical and cultural significance of the seafaring Vikings.
As Singapore dredges sand from beneath Cambodia's mangrove forests, an ecosystem, a communal way of life, and one woman's relationship to her beloved home are faced with the threat of erasure.
A short visual poetic film on a Haitian migrant stranded in Tijuana, Mexico.
Keur Simbara is an intimate, lyrical short documentary that follows a group of women community organizers in a rural Senegalese village as they build and sustain systems of health, finance, agriculture, and domestic infrastructure. Amid water scarcity and environmental challenges, they articulate their hopes for the future and the legacy they wish to leave behind. Keur Simbara is a tribute to communal wisdom and the power of local organizing.
This short documentary focuses on protests surrounding a homophobic sign that hung behind the bar of Barney's Beanery in West Hollywood for many years.
Over twists, presses, and wash-and-goes, filmmaker Cheryl Dunye joins other clients and hairstylist DiAna DiAna in her South Carolina salon to discuss the current impact of AIDS on Blacks in the south, and what has changed and stayed the same since DiAna was featured in a seminal short video by Ellen Spiro thirty years ago. Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.
A fascinating insight into the life and works of photographer Imogen Cunningham. Coming into public attention around 1910, she was celebrated in the late sixties through awards, honorary degrees and exhibitions. Her photos are looked at from three focal points: nature, portraits and figure studies.
Juice Leskinen & Grand Slam live set recorded in 1988.
No overview available.
Paul Mawhinney was born and raised in Pittsburgh, PA. Over the years he has amassed what has become the world's largest record collection. Due to health issues and a struggling record industry Paul is being forced to sell his collection. - A brief look at the world's largest vinyl record collection and the current state of the American record industry.
Four men of different ranks play a game of tetherball on a ship's deck.
Dedicated “to all victims of intolerance,” "The Devil’s Toy" is a faux–public service documentary that chronicles the early days of skateboarding in Montreal. Framed as mock anti-skateboarding propaganda, Claude Jutra contrasts official hostility with the exhilaration and freedom experienced by youths racing downhill through city streets, shortly before the activity was banned.
This is the subject of ongoing discovery of the beauty of the world, that man makes in his life and in his work, which is being developed as part of a big city, presented during a day's work. This film starts and ends with the rotating image of the sculpture of Rodin the Thinker; this famous sculpture has long since become the symbol of the unchanging expression of human thought.
Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.
Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.”
Denise, Hannah and Leticia are three ordinary women with extraordinary stories to tell. As transgender people, they talk about the challenges of finding their true identities within an intolerant and prejudiced society.
