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Two old sisters, living in the same Warsaw apartment, sit on a bench and talk. The 87-year-old elder one seems to care for the other reluctantly and treat her badly. The younger, who is said to be clumsier, has walking problems.
The action is placed in a cramped flat in Warsaw’s district of Ochota. A father and a son, both bedridden, live in a fascinating symbiosis. The son, a well‑known photographer Bernard ben Dobrowolski, is lying in bed because a chronic condition has deformed his body and immobilized him. The father, Dominik, has recently suffered from a stroke. Now they are taking care of each other and crowds of visitors move through their room.
70-year-old Timo makes the most of his short ride to work. Speeding up on a bicycle ends up in a ditch, but the adrenaline rush leaves a feeling of pleasure.
The carrot caterpillar hides among and feeds on the leafy foliage in carrot fields. A man demonstrates how difficult it is to detect and remove them from the carrot plants. They propel themselves with their six feet and twelve suction cups. To ward off enemies, they display two horns which secrete a malodorous liquid. Before the chrysalis stage of their development, they attach themselves to a surface and two days later burst from their shell. After spending the winter as a chrysalis, they emerge as swallowtail butterflies. Once they have bathed their wings in dew and dried off, they are ready to fly. (Library of Congress)
Sepia toning lends a romantic (even wistful) quality to Larry Jordan's film Visions of a City, which he shot in San Francisco in 1957 and edited in 1978. The pace is un-irritating, in contrast to the San Francisco of today; but unlike the equal weight Helen Levill gives to all her subjects, there is an internal evolutionary development in the Jordan film that ultimately delivers a story. Until the introduction of the human protagonist, poet Michael McClure, we are treated to an extravagant display of visual delights.
Though best known for his collage films, Lawrence Jordan here makes exquisite study of the different aspects of light lilting through the early morning fog of California winter. Painterly gradations of color and juxtapositions in scale are beautifully arranged to music by Antonio Vivaldi.
TAPESTRY, part of Lawrence Jordan's "Odyssey" triptych and filmed much later in Jordan's life, is a charged record of his bachelor life after marriage and child-rearing.
Last chapter of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1985-1989.
Based on Elizabeth Swados’ picture book of the same name, this animated short film charts one woman's struggle with depression.
Women from the different Spanish regions dress in their traditional costumes to attend the triumphal parade celebrating the victory of Francisco Franco and the rebel side over the Second Republic in 1939; the deeds of past heroes are remembered; and a patriotic poem by Nicaraguan poet Rubén Darío is recited.
Chapter 12 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico between 1955 and 1959. At the end of the presidential term of Adolfo Ruiz Cortines and the beginning of the presidency of Adolfo Lopez Mateos, Mexico is experiencing political stability and economic recovery after the 1954 devaluation.
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Avant-garde short by Lawrence Jordan.
Against the coastline of the Big Sur country the camera catches swiftly shifting fragments of the nude women at the baths, playing the guitar, cutting the hair, sleeping. The camera movement is used to slightly smear the images onto the film emulsion in a manner parallel with the use of broad different medium from music or painting.
Impressionist portrait of a landscape forged by tragedy. A ghostly wanderer among the vestiges of a story where 44 young soldiers and a sergeant were pushed to their deaths
This short animation transports us from the farthest conceivable point of the universe to the tiniest particle of existence, an atom of a living human cell. The art of animation and animation camera achieve this exhilarating journey with a freshness and clarity. Without words.
Francis Doublier does bicycle tricks in the street.
This short documentary records the celebration and ritual surrounding a snowshoe competition in Sherbrooke in the late 1950s. The film marked the beginning of a new approach to reality in documentary and prefigures the trademark style of the NFB's newly formed French Unit. Today, Les raquetteurs is considered a precursor to the birth of direct cinema.
Mario Montez in drag eats a banana.
Youths get ready for a party, decorating the dance floor, cleaning out the fountain of a pond. That evening, the party starts and guests arrive: everyone has a ticket, and a guy at the gate, wearing a formal shirt, tails, and shorts, makes sure only those with tickets gain entrance.
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