They say photgraphers steal your soul when they take pictures of you. But what if I give it to you voluntarily?
A colourful, dreamlike mediation on photography and consent.
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Signifiant
Grete Stern decided to be a photographer. Then she also decided to be Argentinian. Those two choices are interwoven in a unique heritage, of paramount importance for modern Argentinian photography, that helps us better understand the world we live in and the worlds that live inside us.
The celebrities who visited Luisita Escarria's photo studio in Buenos Aires for decades are countless. Sol, a young photographer, discovers there more than 25,000 unpublished negatives, an archive of incalculable value that opens a window through which to look at the true artistic epicenter of Argentinean popular culture…
Short subject on how fashion is created-- not by the great couturiers, but on the street.
The James Webb Telescope stirs imaginations with vivid photos of distant galaxies. This documentary tracks its historic journey from inception to launch.
In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggressive yet also ridiculous and cartoon-like as the video progresses. Nauman explores the ways in which anger can be provoked by others and questions the way we can react to them. Much like many of his other artworks, he employs the use of humour and exaggeration to explore serious and even dangerous topics - he produced this work as a result of his frustration with futile acts of violence in ordinary life. He explains, “The viewer is presented with a hypnotic repetition of pointlessly cruel and destructive violence which is both seductive and alienating.”
After a long career as a commercial and portrait photographer, mischievous San Francisco artist Michael Jang sat for decades on a hidden treasure of pictures taken in his 20s—both candid celebrity shots and a down-to-earth cross-section of Chinese American family life rarely captured so playfully. Then, during the pandemic, Jang set out to share his work with the world, street guerilla-style.
A photographer sets off toward a mysterious forest to find Boychuk, witness and victim of the Great Fire that swept through Northern Ontario at the turn of the 20th century. But before she arrives, she learns that Boychuck has just perished. Survivors of the long-ago fire, Tom and Charlie, two elderly men who have chosen to live out their last days in the woods, are introduced to Marie Desneige, whose 60 year institutionalization has only fueled her passion for life. Meanwhile, the photographer is discovering that Boychuck had been a painter, whose life’s work had been entirely inspired by the Great Fire. The story immerses us in a historical drama while captivating us with the strange lives of these men of the forest. Three men who, in choosing freedom above all else, made a deal with death.
For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weapon in his hand. After eleven minutes he was arrested by the police. The following day he repeated the action, this time in cooperation with the police. By presenting a record of this dramatic action alongside footage of its reenactment, Alÿs blurs the boundaries between documentation and fiction. Questioning the concept of authenticity, this work demonstrates “how media can distort and dramatize the immediate reality of a moment,” the artist has said. Gallery label from Francis Alÿs: A Story of Deception, May 8–August 1, 2011.
Mira inherits a building full of secrets and mysterious new friends. Will she survive long enough to uncover her family's dark past, or will her friends draw her deeper into her new fate?
The film highlights legendary Colombian birdwatching guide Diego Calderon-Franco and National Geographic photographer/videographer Keith Ladzinski as they travel through Columbia, a nation that boasts one of the most diverse populations of birds in the world, to capture footage of rare and unique birds, some of which have never been filmed before.
A political work in which Ko Nakajima opposes himself to the Vietnam War.
A photographer becomes intrigued by a mysterious man who has chosen to filter his experience of the world through a cardboard box placed over his head.
A down-and-out detective attempts to solve a disturbing case involving the massacre of models. Can he find the killer before it's too late?
A young girl rediscovers her love for photography, and what made her photos so magical in the first place.
In this film, Nauman bounces his testicles with one hand. Shot in extreme close-up, the work is perhaps an ironic reference to an earlier film Bouncing Two Balls Between the Floor and Ceiling with Changing Rhythms, in which he bounced rubber balls. Along with Black Balls, Gauze, and Pulling Mouth, Bouncing Balls is one of Nauman's "Slo-Mo" films which are shot with an industrial high speed camera.
Leisel is a college photography student preparing for her final gallery. However, her world quickly changes when her diva-minded friend Finley steals her concept and presents it as her own. Her friends Rosalie and Beau turn a blind eye, leaving Leisel defenseless to Finley's actions. Desperate to regain her project and place in her friend group, Leisel confronts Finley about her behavior. Finley won't hear it, and the girls become locked in a bloody battle for dominance.
3 short films made from old and new projects footage reassembled, and photographs taken during the last few months.
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A film by Osnat Shalev from the Department of Visual Communications, Bezalel Academy of Art and Design
Nadya and her fellow photography students are sent to the countryside to take photographs for their upcoming final exams. She's jealous of two other students. One has a high society girlfriend so she decides to make love to him and secretly take pictures of him to blackmail him....