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An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
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Leading biblical scholars and religious experts discuss the implications of the Rapture, when prophecies predict that Jesus Christ will return to Earth and his true believers will be transported to meet him.
Compilation short film about the Communist Revolution and Soviet Union.
The story of how newspapers were distributed during the Blitz, stressing the importance of an accurate and objective press on the home front.
Based on the book by Major Alexander de Seversky's about his theories of the practical uses of long range strategic bombing. Using a combination of animation humorously telling about the development of air warfare, the film shows de Seversky illustrating his ideas of how air power could win World War II for the Allies.
North Korean propaganda film about orchards that yield bigger crops after Kim Il-sung visits. The films was presented as a gift to friendly-minded countries in the world. And expected by the North Korean Culture Ministry to be displayed publicly. Sweden was one of the countries honored by receiving a copy of "Gwasu-ui nara / Country of Orchards".
The first blitzkrieg, Hitler's invasion of Poland, is traced in this original Nazi propaganda film from 1940.
The film shows the various stages of the Stahlhelm's integration into the NSDAP and the Third Reich.
A film about the Nuremberg Party Congress of the NSDAP in 1929.
The film shows the manufacture of a luxury edition of "Mein Kampf" on real parchment, handwritten.
When this propaganda film begins the narrator states that before the beginning of World War II, Japan was the only one of thirty-five nations to refuse to sign an anti-narcotics treaty and alleges that this was because the country's leaders planned to use drugs as a weapon of war.
Fifteen years ago, social networks were seen as a new democratic ferment that, by promoting the dissemination of information and horizontal communication between citizens, would help people break their chains, from Eastern Europe to the Arab world. The story is different: the assault on the Capitol by Donald Trump's supporters, the chaotic reign of his counterpart Jair Bolsonaro, the offensives targeting Muslims in Narendra Modi's India, or the dazzling success of the racist slogans of Italian League leader Matteo Salvini have highlighted the devastating power on a global scale of the calls to hatred and disinformation that circulate in real time on social media.
The story of Donald Trump's election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian meddling in the 2016 election that reveals an empire of fake news and the tactics of modern day information warfare.
There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
A shocking political exposé, and an intimate ethnographic portrait of Pacific Islanders struggling for survival, dignity, and justice after decades of top-secret human radiation experiments conducted on them by the U.S. government.
A documentary about how Russia has been using popular culture as a weapon against Ukraine for decades. Together with industry participants, the film's narrator, musician Albert Tsukrenko, explores the financial, political and psychological reasons for the vulnerability of Ukrainian artists and reflects on how to break this vicious circle. Unfortunately, our own Ukrainian talents are becoming the ammunition in this weapon. Several generations of original Ukrainian musicians at different times in the 1970s and 1980s, 1990s and 2000s, and 2010s switched from Ukrainian to Russian in their work. Whether willingly or unwittingly, they became tools of Russian show business, which has always sought to blur the cultural border between Russia and Ukraine and worked to promote the imperial myth of "one nation".
