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A young sociologist researching criminal women selects a captivating inmate as his subject. As he conducts interviews in prison, her troubled past and justifications for her actions intrigue him. His growing interest soon blurs professional boundaries, testing his ability to resist her charm.
Join sociologists Monique and Michel Pinçon-Charlot on their “investigation” of the French aristocracy and gentry. An entertaining and instructive movie on an exclusive and highly secretive world.
CodeSwitching is a mash-up of personal stories from three generations of African American students who participated in a landmark voluntary desegregation program. Shuttling between their inner-city Boston neighborhoods and predominantly white suburban schools in pursuit of a better education, they find themselves swapping elements of culture, language, and behavior to fit in with their suburban counterparts – Often acting or speaking differently based on their surroundings, called code-switching.
In the 1980s, Algeria experienced a tumultuous social context which reached its peak during the riots of October 88. This wave of protest, with youth as its figurehead, echoed the texts of raï singers. Thirst for freedom, misery of life and the aspirations of youth are among the main themes of their works which will inspire an entire generation. More than music, raï celebrates the Arabic language and becomes a vector of Algerian culture, thus providing the cultural weapons of emerging Algerian nationalism With Cheb Khaled, Cheb Mami and Chaba Fadela as leaders of the movement, raï is also a way of telling and reflecting the essence of Algeria in these difficult times. While the threat weighs on artists in Algeria, their exile allows raï to be exported internationally and thus, to bring the colors of Algeria to life throughout the world.
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Artificial Intelligence (AI) is possibly the most powerful technology of our time. It has the potential to solve humanity’s biggest challenges yet some fear AI will be our downfall. iHUMAN follows pioneers at the frontline of the race to develop the ever more sophisticated AI to find the questions we need to ask at this crucial point in history.
Personal stories taken from a survey on how women's lives are affected by a culture obsessed with body image and thinness.
In today's climate debate, there is only one factor that cannot be calculated in climate models - humans. How can we nevertheless understand our role in the climate system and manage the crisis? Climate change is a complex global problem. Increasingly extreme weather events, rising sea levels, and more difficult living conditions - including for us humans - are already the order of the day. Global society has never faced such a complex challenge. For young people in particular, the frightening climate scenarios will be a reality in the future. For the global south, it is already today. To overcome this crisis, different perspectives are needed. "THE UNPREDICTABLE FACTOR" goes back to the origins of the German environmental movement, accompanies today's activists in the Rhineland in their fight against the coal industry and gives a voice to scientists from climate research, ethnology and psychology.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
The story of two young single mothers who join forces to make a new kind of family unit for themselves and their children.
"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.
Mia is thirty and getting divorced. She moves into a studio apartment in a low-income housing project. As a former swimming champion, she now finds herself giving swimming lessons to the other inhabitants... Without a pool...
A stranger in the city asks questions no one has asked before. Known only by his initials, the man's innocent questions and childlike curiosity take him on a journey of love, laughter and letting go.
Fred, George, Doug and Howie are quickly reaching middle-age. Three of them are married, only Fred is still a bachelor. They want something different than their ordinary marriages, children and TV-dinners. In secret, they get themselves an apartment with a beautiful young woman, Kathy, for romantic rendezvous. But Kathy does not tell them that she is a sociology student researching the sexual life of the white middle-class male.
THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.
Director Drew Stone’s The New York Hardcore Chronicles Film is an incredible journey through the community and culture of the iconic New York hardcore scene. Not the typical history of a local music scene but so much more. Shot in an episodic format, the film contains over 60 interviews, never before seen footage, photos and a blazing soundtrack. With appearances by Roger Miret & Vinnie Stigma (Agnostic Front), Lou Koller, Craig Setari (Sick Of It All), Ray Cappo (Youth Of Today), Billy Graziadei (Biohazard), Billy Milano (S.O.D. / M.O.D.) and Mike Judge (Judge). The film addresses the community, culture, straight edge and DIY ethic of the hardcore scene in the greatest city in the world that is still vibrant, relevant and going strong to this day.
Adam Pearson - who has neurofibromatosis type 1 - is on a mission to explore disability hate crime: to find out why it goes under-reported, under-recorded and under people's radar.
When her husband died Soumicha, mother of three, had to earn a living. She became the only woman taxi driver in Sidi Bel-Abbès, Algeria. This film accompanies Soumicha around a city where religious and political violence rages, and records her experiences in a job normally reserved for men.
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