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Criança
Mulher
Homem
Narradora
Narrador
The unique journey of three reserved and endearing teens as they test their limits, discover the meaning of strong connections and live and learn in synch with the natural rhythms of the land and its animals.
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Maverick soul mates Ged and Dave are on a mission through the winding lanes and hidden tracks of North Devon, to record the lives and experiences of people living without mains electricity.
Set in the sparsely populated lobster fishing villages of southern Nova Scotia, Plains is a cinema vérité approach to documenting the curious lives of Jon and Cat, a young couple who are developing politically left-leaning virtual reality video games. Against the busy backdrop of their art practice, we sit in on their quiet rural life, which, in its proximity to nature and the vast green and oceanic spaces that surround, echoes the romanticism of a simpler time. As the decaying world of physical labour and the mechanical industry faces up to an expanding digital empire, Jon gradually retreats into the alternative realities of his own design.
William Wells defends the viability of Fogo Island and expresses his apprehension about the exodus of young people.
A real-time portrait of 2020 unfolds as an Asian-American family in Trump’s rural America fights to keep their restaurant and American dream alive in the face of a pandemic, Neo-Nazis, and generational scars from the Cambodian Killing Fields.
In 1952, TV Tupi, Brazil's first television channel, invited psychiatrist Júlio Gouveia and his wife, Russian writer Tatiana Belinky, to develop the network’s children's programming. The couple then asked the sons and daughters of their friends to join the cast of the newly created shows, the most prominent of which was Sítio do Picapau Amarelo. And so, Antonio Silvio, Lia, Lídia, Sérgio, and David José embarked on an unexpected journey that would come to shape the future of Brazilian television. Memories of the Sítio is a trip through the personal recollections of these actors and the story of the first television adaptation of Monteiro Lobato’s work.
Meet Brian Boland—the beloved, eccentric hot air balloonist and artist from the rural Upper Valley of Vermont.
When the Cows Come Home introduces audiences to Tilly and Maggie, a pair of cows that musician, journalist, artist and cow whisperer, Andrew Johnstone has befriended and subsequently saved from slaughter. The garrulous herdsman is enthusiastic to expound his views on animal husbandry, bovine communication and the vagaries of life in general, before the film walks us back through the events that have shaped the singular farmer-philosopher. From personal family tragedy to warring with Catholic school authorities, innovating in Hamilton’s nascent music scene to creating guerrilla art installations; Johnstone’s life has had a truly idiosyncratic trajectory. Mental health issues may have seen him retreat to life on the farm, but the film makes clear its subject’s restless inquisitiveness is far from being put out to pasture.
A Traveltalks visit to some small towns in Mexico. In Mazatlán, away from the tourist spots, we see a small village where fishing, growing coconuts, and gathering large sea turtles are the main pursuits. We then visit Toluca on market day, where people sell produce and pottery. The last stop is Taxco, where the Castilian influence of the Spanish conquerors is still prevalent.
When Werner Herzog was still a child, his father was beaten to death before his eyes. His mother was overwhelmed with his upbringing and thereupon shipped him off to one of the toughest youth welfare institutions in Freistatt. This was followed by a career as a bouncer in the city's most notorious music club and an attempt to start a family. Today, the 77-year-old from Bielefeld lives with his dog Lucky in a lonely house in the country. Despite adverse living conditions, he has survived in his own unique and inimitable way.
The village commune is struggling with huge debt incurred by it's overambitious mayor, who once suffered a personal tragedy. Did this affect his overly ambitious actions? A warm and humorous observation of the life of a village near Krakow.
Omama, a rural grandmother in Hungary, has one main wish: to not wake up tomorrow. Martin, her cinema-expatriate grandson, comes for a visit, hoping to connect with her before Omama's wish comes true.
In Portugal, during the night of April 24-25, 1974, a peaceful uprising put an end to the last government of the Estado Novo, the authoritarian regime established in 1933 by dictator António de Oliveira Salazar (1889-1970), paving the way for full democracy: a chronicle of the Carnation Revolution.
Brazil is one of the most dangerous countries for environmentalists. The rural community of Belisário holds the country's second largest bauxite reserve, right below one of the most bio-diverse areas in the world: the Atlantic Forest. The small community was shaken when the beloved Gilberto, a Franciscan Friar, received a death threat followed by the lines: "you've been talking against mining way too much". PT: O Brasil é um dos países mais perigosos do mundo para defensores do meio ambiente. Em Minas Gerais, a comunidade rural de Belisário abriga a segunda maior reserva de bauxita do país, em uma das áreas de maior biodiversidade do mundo: a Mata Atlântica. A tranquilidade do pequeno vilarejo foi abalada quando Frei Gilberto, um franciscano que dedica sua vida à preservação da natureza, recebeu uma ameaça de morte com o seguinte aviso: "você tem falado demais contra a mineração".
A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.
The documentary shows the academic movement and its several crisis by the players perspective and the way they contributed and involved themselves in the movement as students and Men. The main focus will be on the players and the academic leaders in this process during the 60’s.
