In the new world of high-speed highway driving, there are a host of new dangers to take into account.
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Host / Narrator
Excessive speed is the number one killer on the roads: one-thrid of all road deaths are caused by it. By excessive speeding drivers risk their own lives and those of others.
Omri reunites his family for a drive to the desert. Facing his camcorder, he'll ask them to recollect the drive and fatal car accident they had on the way to his Bar Mitzvah. An accident that led to his parent’s divorce.
Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews and home video cameras. Some of it is most likely fake, some not as much.
This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...
What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.
Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.
Greek internal migrants in Athens, after the Greek Civil War colonize the tops of the Tourkovounia hills.
Since the end of World War II, one of kind of urban residential development has dominate how cities in North America have grown, the suburbs. In these artificial neighborhoods, there is a sense of careless sprawl in an car dominated culture that ineffectually tries to create the more organically grown older communities. Interspersed with the comments of various experts about the nature of suburbia
"At the beginning of the 19th century there is no Chicago. There was a fort that was set on fire by Indians shortly thereafter. Later, the turbulent expansion of a settlement began, which became a center for the immigrant workforce, traditional industry, slaughterhouses, and, in 1941, armaments for war. The Windy City on Lake Michigan is the fastest changing city in the world. This 35mm Arriflex film time-lapse footage is annotated with classic techno cuts and information about the tunnels under Chicago, the slaughterhouses, organized crime, Sears & Roebuck catalogs and other peculiarities of this strange city."
The working-class Tuindorp Nieuwendam neighborhood in Amsterdam-Noord is like a village within the city. Many natives of the Northern Netherlands still live in the characteristically built houses, a unique variation on the Amsterdam School. With humor and Amsterdam directness, they share their stories about what's happening in their lives and in the neighborhood. Recently, a new generation of residents has also discovered the Noord district. How do residents view these changes and the neighborhood's transformation? Was everything better in the past, or are new connections emerging between residents, old and new?
Yirrkala is an Aboriginal township on the Gove Peninsula in Northeast Arnhem Land. It was established as a Methodist mission in 1935 and over the years Yolngu from many different clans moved there. Conversations With Dundiwuy Wanambi is a personal film which reveals something of the struggles and thoughts of one elder in the face of enormous change. In the early years Dundiwuy was a heavy drinker. In a disturbing interview in a pub, Dundiwuy explains his reasons for drinking. Then, through a dream, Dundiwuy realizes he must begin to protect his family and clan. He establishes his Marrakulu clan homeland center at Gurka'wuy, south of Yirrkala. He will hold a great ceremony there. Years later Dundiwuy returns to Yirrkala. His clan is small and he did not receive the necessary support from his sons. But Dundiwuy endures, continues his struggle, and we learn in the post-script of how he has become a successful and sought-after artist.
Prague faces the challenge of a new zoning plan. The city's development leads to conflicts between the private developer lobby, city residents, and elected officials. By following several years of town council meetings, the film paints an image of a public policy apparatus that ignores the role of the urban planner. Using a journalistic approach, the filmmaker attempts to depict all points of view, although in the end the dominant perspective is of those who believe in the city as an expression of culture and quality of life.
Make No Little Plans: Daniel Burnham and the American City reveals the fascinating life and complex legacy of architect and city planner Daniel Hudson Burnham. In the midst of the late nineteenth century urban disorder, Burnham offered a powerful vision of what a civilized American city could look like, one that provided a compelling framework for Americans to make sense of the world around them. A timely, intriguing story in the American experience, Make No Little Plans explores Burnham's impact on the development of the American city as debate continues today about what urban planning means in a democratic society.
In the summer of 2004, the Mayor of Lewiston, Maine announced a plan to develop a four-lane boulevard across downtown's low-income neighborhood. This project was called "The Heritage Initiative." Contrary to its name, this plan was going to eliminate the downtown's heritage by displacing 850 people from their homes as well as destroy playgrounds, vegetable gardens, and historic buildings. Moving residents out of the city and improving traffic flow was at the heart of this proposal... It was 1960's Urban Renewal all over again. As tragic as the circumstances were, the threat of a road destroying the neighborhood required residents to rise to the challenge of becoming *community organizers. This movie documents 5 years of development and community organizing in Lewiston. It's an exceptional story about the people of Lewiston, but it's also a universal story about the challenges faced by many urban neighborhoods across the United States.
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An exclusive interview with Death as he goes about his everyday business.
The most far spot of Iran desert. 'Habib o-llah Qolami', a poor and old farmer looses his young son in a car accident. Habib after his son's death takes a big decision. He spends all his has for making a medical help station in the road and gifts it to Red Crescent. From now no one dies of car accident.
The 3rd installment in James A. Burkhalter's QUEER ROOTS trilogy: After years of his mother begging him to do it, James decides to finally review and erase 10 years' worth of phone messages. It tells the story of James' "roaring twenties," constructed solely through the voices of friends, family, and lovers.
In continuous motion with no end or barrier in its way.
