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A visual essay on the stimuli that draw a bridge to past memories of my life; a real documentary about where I was and where I am, what I did and what I do; a reflection of the person I was and continue to be.
Life is what we don't want it to be.
Aroak is a documentary about the cycle of life through the passing of the seasons and the stories of 10 people from different generations, and the environment in which they live, closely connected to the land and animals. How they experience the passing of the seasons, how it was before and how they experience it now. They talk about their interaction with the environment, their feelings towards animals and plants. Aroak is also an audiovisual poem about nature and its magic, its sounds and its inhabitants.
The director follows her sister Rakel as she takes over the family farm; she will be the fourth generation to run the farm. With her wife Ida, she is packing up her life as a musician and heading north. Rakel is enthusiastic, but she is also aware that there is a lot she doesn’t know how to handle. Her wife Ida has never lived on a farm before and will also have to find her place in this new everyday life and this unfamiliar work. Rakel’s father has been a farmer for 40 years and knows the challenges ahead of her: years when spring never arrives, summers with significant losses to predators, poor harvests, and sheep on the run.
Isabelle is a physiotherapist. After work, she is involved in a completely different activity.
This film follows three teenage boys living in London during the COVID-19 pandemic. Through a series of vignettes, we see their conversations and experiences, and how their perspectives on the present moment and their place in society are shaped by their interactions with the outside world. Despite their different backgrounds, their youthfulness aligns them in ways as they share a sense of uncertainty and a desire to function in this transitional period to adulthood.
“Love is Free” is a triptych telling the story of one woman’s relationship with love and how it has been shaped by her relationship with her eccentric father.
A depressed man learns that fortune comes in many forms, and at any moment it can slam into you like a speeding car. Or in this case, an SUV.
Budget joins a zamindar's house as a maid but becomes a villain. A girl is tied up in a dark room to look for a necklace and later tortured for it. The house is then termed 'Bhoot Bungalow'.