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Re-Animator: The Musical lyricist Mark Nutter discusses adapting the cult classic for musical theater.
'Figure I' uses a feminist perspective to frame and deconstruct patriarchal techniques of control. This film asks: how was a patriarchal gaze construct-ed, and how has it come to effect biological processes? How have specific tools (like Dürer's Grid) come to shape our technological present and possible futures? Are modern Western scientif-ic/mathematic/technological/medical structures rooted in extractive patriarchal philosophies? 'Figure 1' is composed of re-drawn illustrations of allegorical art historical paintings and etchings, alongside archival footage, Obstetric photography, and rotoscoped animation.
A portrait of Rosa von Praunheim's neighbor, who worked for decades as a professional dominatrix in Berlin's Wilmersdorf district. While the real Lady MacLaine reflects authentically and wittily on her life and work, her life is retold in dramatized scenes.
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A short film following the release of journalist and activist Barrett Brown from prison, and his drive across Texas to a halfway house. 'Relatively Free' is an examination of Brown's return to a very different world, post the election.
Documentary about the making of Juzo Itami's film "Tampopo" (1985).
A father fights for decades to bring his daughter's killer to justice in France and Germany before taking extreme measures.
Filmed in New York in the summer of 2006: a march across the Brooklyn Bridge in support of the Palestinian and Lebanese populations. Habibi means "beloved" in Arabic.
The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.
This documentary features sexologist and writer Betty Dodson as she assembles a group of women to discuss the appearance and purpose of female genitalia. The discussion is followed by some group self-stimulation exercises and full-body massages.
Checkpoint Zoo documents a daring rescue led by a heroic team of zookeepers and volunteers, who risked their lives to save thousands of animals trapped in a zoo behind enemy lines in the Russian Invasion of Ukraine.
'On the Fringe' is a captivating documentary that takes viewers on a journey through Canada’s most vibrant and eclectic arts festival circuit. Chronicling the experiences of four groups of artists as they travel from coast to coast, the film provides a rare and compelling insight into the world of Fringe theatre, and the artists who rely on these festivals to make their dreams come true.
Iran, 2008. As President Mahmoud Ahmadinejad's motorcade creeps through the teeming streets of Qom Shrine, thousands of people jam hand-written letters into the hands of his handlers. Hearing their President deliver a speech is a thrill, but more promising to these men and women is the hope that their letters - expressing pleas for loans, medical attention, housing and jobs - will be answered. Since his 2005 election on a populist, "man of the people" platform, Ahmadinejad has encouraged Iranians to send him such letters; according to a staff member, he has received about 10 million of them, and has been able to respond to nearly 76 percent. In one letter, a 16-year-old boy says his family has no money and goes to bed hungry every night. According to the staff member, the boy will be helped. As other letters are read, the worker says that "In Islam, charity is a necessity."
The Californian sun, which lights up the city, lights up again every evening in cinemas all over the world". Guided by these words from Blaise Cendrars, L.A. L.A. END is a stroll through Los Angeles, among the remnants of Hollywood's Golden Age. Following in the footsteps of a Marilyn Monroe lookalike, we meet a gallery of characters who paint a sensitive portrait of a bygone era that gradually becomes a portrait of a woman.
Six professionals in the audiovisual field share their experiences through a visual and sound sensory journey
As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.
This film is a portrait of hypnotist and artist, Marcos Lutyens. It examines the idea of incorporating hypnotism into art through the filmmaker participating in a hypnotic induction.
