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A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.
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Part ethnographic film and part experimental film, கோயில் (The Temple) is a hybrid piece of cinematography that questions the act of observing.
Tracing the faded time of those who once turned the pages Chŏng Yagyong(1762-1836)’s Chil Shil Gwan Hwa Seol (On Viewing Paintings from the Dark Chamber). In a dark room of their own, they steep tea, mend fragments with thread, and enfold them in bojagi cloth—crafting a cinema that was unseen.
Six sequences about Fascism and its segments throughout history.
The 2013 ASP World Championship was a battle between Kelly Slater and Mick Fanning that came down to just four waves in two 30-minute heats. Join Mick as he describes his journey to the title.
"Soap Opera of a Frozen Filmmaker" project is a series of seven episodes of cinematic diaries. It is the unique point of view of an anonymous artist whose entire essence of existence is to make films, but he is rejected on every front time after time. During the process he ponders his life as an artist, the nature of material society and life in general, in which his owm life eventually become a tragedy.
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Experimental documentary about what it means to be at peace.
Kelly Slater, Rob Machado, and others take a trip to the coast of Sumatra, where they find themselves surfing beautiful waves, and lose the urgency they have come to live with being professionals. September Sessions documents this trip with interviews and 16mm footage of life on a once in a lifetime surftrip.
Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
This video takes a particular viewpoint, with the camera placed behind a zone of blur. Slowly, we experience the perception of an expanded time. An expectation is created and resolved in the observation of the passage of boats that dissolve into the nebulousness, disappearing from our sight like a mirage.
A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?
Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.
Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.
Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
Life isn’t always easy, and it’s rarely fair. Born into surfing royalty, Mason Ho’s unique style in the water, plus larger than life personality out of the water, has put him at the top of the surfing game. Meanwhile, his friend Sheldon Paishon, who grew up on the rugged Westside of Oahu, hasn’t had it quite so easy. Director Alan Media seeks to tell the story of these two friends that grew up on the same island but under considerably different circumstances.
