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In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
In this hilarious arcade showdown, a humble novice goes head-to-head against the reigning Donkey Kong champ in a confrontation that rocks the gaming world to its processors! For over 20 years, Billy Mitchell has owned the throne of the Donkey Kong world. No one could beat his top score until now. Newcomer Steve Wiebe claims to have beaten the unbeatable, but Mitchell isn't ready to relinquish his crown without a fight. Go behind the barrels as the two battle it out in a vicious war to earn the title of the true King of Kong.
The Xbox Originals documentary that chronicles the fall of the Atari Corporation through the lens of one of the biggest mysteries of all time, dubbed “The Great Video Game Burial of 1983.” Rumor claims that millions of returned and unsold E.T. cartridges were buried in the desert, but what really happened there?
Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.
Second Skin takes an intimate look at three sets of computer gamers whose lives have been transformed by online virtual worlds. An emerging genre of computer software called Massively Multiplayer Online games, or MMOs, allows millions of users to interact simultaneously in virtual spaces. Of the 50 million players worldwide, 50 percent consider themselves addicted.
Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipline, and vulnerability that transform movement into poetry. The documentary follows three distinct yet interconnected artists: Cece Trapani, an Irish dancer; Aurora Maur, a burlesque performer; and the Dayton Contemporary Dance Company (DCDC), a renowned contemporary dance ensemble. Through their stories, Terpsichore reveals the universal language of dance—one that transcends genre and speaks to the depths of human emotion. Intimate interviews and behind-the-scenes rehearsal footage offer a raw, unfiltered look at the artistry behind each performance, capturing the essence of dance as both personal expression and a bridge between artist and audience. More than a showcase of technique, Terpsichore delves into the soul of movement, celebrating its power to connect, inspire, and reveal the unspoken truths of the human spirit.
Exploited, abused and sometimes abandoned most gamers fail to reach the top, but like all sports heroes exist. FRAG is the true story of professional video gaming outlining the evolution of the 1980’s arcade game competitions to the elite tournaments of today for millions of dollars around the globe.
A short experimental documentary that interrogates how the modernization of parks and playgrounds in Long Branch (a neighbourhood in South Etobicoke in Toronto, Canada) both reflects and contributes to the overall rise in the cost of living in the area by exploring children's relationships to the community spaces around them. The film includes footage from four local parks and playgrounds, personal archival materials, interviews with five South Etobicoke locals, and an art-based workshop at a local junior middle school.
Since the end of World War II, one of kind of urban residential development has dominate how cities in North America have grown, the suburbs. In these artificial neighborhoods, there is a sense of careless sprawl in an car dominated culture that ineffectually tries to create the more organically grown older communities. Interspersed with the comments of various experts about the nature of suburbia
Residents of the same street in Haarlem, and acquaintances and relatives of Kees Hin, together tell the story of Little Red Riding Hood, each in fifteen words.
This documentary is a portrait of Point St. Charles, one of Montreal’s notoriously bleak neighbourhoods. Many of the residents are English-speaking and of Irish origin; many of them are also on welfare. Considered to be one of the toughest districts in all of Canada, Point St. Charles is poor in terms of community facilities, but still full of rich contrasts and high spirits – that is, most of the time.
An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.
An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.
Here is an actor, one who has been asked to dwell in the perilous gap between text and image. In the voids where traces of the past have been erased by an unknown error, she begins to assemble her own script.
A portrait of cosplayer Jessica Nigri, from a magical childhood growing up with quirky parents in New Zealand, to entering middle school in the U.S. where she was mercilessly teased for her "nerdy" interests.
Lacey Schwartz grew up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity - despite the open questions from those around her about how a white girl could have such dark skin. She believes her family's explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.
Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.
A short philosophical satire that wanders between the absurd and the profound. From a silent bed stare to a prophetic lentil, Cryptex explores the rituals of modern existentialism — one cup of coffee and one book at a time.
