Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.
A musical that brings a bit of the history of Brenda Lee, called the "guardian angel of transsexuals", activist who founded the first support house for people with HIV/AIDS in Brazil. She has a pension for trans women who, for the most part, live off prostitution. Despite the reality of violence in which they live, inside the house, the transsexuals are welcomed by Brenda, who teaches them to want more out of life.
Vini and Lara are two former child presenters who are invited to revive their old program in a special that will be recorded live 10 years after the end of the show. Between good and bad memories, joys and frustrations, they remember the times when they were loved by the entire country and face the marks that success left on each one's history and on their friendship.
In her new comedy special, Malena Pichot stars as Eleonore von Schwarzenberg, an European vampire princess sent to live in a seedy Buenos Aires apartment.
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After the troubled, worn-out playwright Filomeno gets his movie script rejected, he devises a big plot to demonstrate his writing skill.
August, 1936. At the beginning of the Spanish Civil War, two soldiers are ordered to take and execute a prisoner, without knowing his identity. During the long journey, the doubt makes both soldiers confront their ideals, which will provoke a change of plans.
During the rehearsals for his upcoming play, Carlos, a theater director, reminisces about the romantic breakup that inspired the script.
Inspired by the work of Bertolt Brecht and filmed in Porto's former industrial slaughterhouse, A Santa Joana dos Matadouros is a meta-cinematic essay about the labor market in times of economic crisis in Europe. The film explores the possibilities of cinema in its relationship with theater and brings together a cast of professional actors, amateurs, renowned artists from various disciplines, and a group of unemployed residents of Vale de Campanhã.
Augusto M. Torres makes a tour of images in honor of the CIRCUS THEATER of Orihuela.
On a boring Sunday, Rebeca is taken by chance to a distant relative she has not seen for a long time. Curious about her uncle's life, her search opens the curtains into a previously unexplored but strangely familiar theatrical universe.
The old Spanish filmmaker Luis Buñuel (1900-83) imagines a movie plot, set in Toledo in the future 2002, about the fantastic adventure of three actors, who play him and his friends, the painter Salvador Dalí (1904-89) and the poet Federico García Lorca (1898-1936), and their search for King Solomon's table, a mythical artifact capable of revealing the past, present and future.
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Beata 1
Beata 2
Don Mirlo
El alcalde
Mozo de la faja
Vecina naranja
Vecina Verde
Vecina Roja
Niña
Rosita, la zapatera
Perlimplín, el zapatero
Manuela
