Mario
Guardinha Rodrigo
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Two brothers start working as benshi narrators of silent films in a cinema in the early 20th century. This premise is the jumping-off point for an epic family saga that follows the protagonists and their descendants through wars and technological developments.
In the midst of the wave of violence in Mexico in 2014, Franco, a high school student, envisions through a screenplay the possibility of creating absolute peace in his city. Alongside his friends, he embarks on a mission to save his father from an unpredictable assault.
During the rehearsals for his upcoming play, Carlos, a theater director, reminisces about the romantic breakup that inspired the script.
Habito tells the story of a poor, fat black man in pursuit of his dream of being a filmmaker, facing academic and personal challenges after his mother is diagnosed with breast cancer. A narrative that intertwines life, family and cinema, exploring the roots of Alagoas and Bahia.
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Layar, a popular film star who feels bored with his career wants to make a musical theater set in a family history that is always linked to Indonesian film history.
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Join the crew of a traveling pharma-cinema troupe as they go on the road to spread the joy of live-dubbed movies, all while overcoming difficulties, deceits, and reaching for their dreams.
Haunted by guilt and recurring dreams of a mesmerizing jazz singer, Paul, a grieving widower, is drawn into a mysterious cinema where he must confront the passion he’s long suppressed and choose whether to remain trapped in regret or be reborn in truth.
Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.
Inspired by the work of Bertolt Brecht and filmed in Porto's former industrial slaughterhouse, A Santa Joana dos Matadouros is a meta-cinematic essay about the labor market in times of economic crisis in Europe. The film explores the possibilities of cinema in its relationship with theater and brings together a cast of professional actors, amateurs, renowned artists from various disciplines, and a group of unemployed residents of Vale de Campanhã.
Torn between the desire to protect his little brother in a violent world and the longing for the utopia of a queer community, Hector (23) embarks on a journey between reality and fantasy to reflect on his own experience of violence and to find closeness to his brother again.
Seventh art is unique addresses people's relationship with a movie theater or film. What feelings do they feel? What changes in you when you go to the movies? It also addresses Jair Bolsonaro's harsh criticism of culture and cinema in Brazil.
