It's not a documentary, it's a seance.
An unhinged, diaristic examination of devastating friendship breakups.
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Nevermore Eleanor (2024) | 2160p
Somewhere between a diary and a filmed letter made while Caroline Champetier was shooting Benoît Jacquot's film L'Intouchable in India.
Thirty-three shots based on the landscapes of the Isère region near Vienne. A work of observation on light, the dilation of Time, wind, calm and storm.
Actors work with a director to find the rhythm of a scene.
In 2002, Lana Kaiser became well known in the first season of the German version of the Idol television franchise. She was born in 1985 and went by her birth name Daniel Küblböck. At only 17 years old she polarised the audience with her androgynous appearance and open bisexuality. On September 9th 2018, Lana disappeared from a cruise ship on her way to North America. Most media outlets and the majority of the public didn‘t consider calling her by her chosen name, Lana Kaiser. Philipp Gufler's video installation is a personal portrait of the singer and entertainer.
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At the Myrtle-Wyckoff intersection, transportation arteries and the community overlap and interact, connect and collide, react and respond. Where are people going? Where are they coming from? And, what lies underneath all of the activity?
During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.
The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.
A shot-on-video look at three impoverished Black communities in rural Georgia in 1976 - America's bicentennial, interspersing photos with footage and voices of those in their communities.
A speaking into the void.
A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.
In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.
The day with the sky neither too blue nor too grey. With a hint of red. The train crowded and the backpacks between the feet. The loves on every corner, the ones we pretend not to see.
A short documentary project that attempts to encapsulate what it looks and feels like to be an American Teenager in 2022.
Phyllis Bigler has been going to the Spanish Peaks of Colorado since she was a child. Now in her 90s, she tells her stories.
Filmmakers Sam and Amy journey into rural Australia to explore how the legacy of an American legend has transmitted and warped itself over time, and across the globe, resulting in the 30th annual Parkes Elvis Festival.
Eligibility is a film made by Ryan Cunningham. In this film, they discuss the question, "Why do I have to prove myself?" Through 80 minutes of documentary, archival, and narrative formats, Ryan explores this topic. Made within a week of 2025 and with a couple of all-nighters, this is proof of Eligibility. Anything can be a movie, so why not make one?
A Turkish woman in Brighton shares her visual diary. Witness her ups and downs, her intimacy and vulnerability. After revealing hers, the film invites you to confront your ‘tiny little things’. It presents a slice-of-life experience with an abstract flow and deals with one’s existence in this world. There is no escape from family and the things in your mind, even if you are thousands of miles away. The meaning changes constantly, and the camera becomes the extension of her mind. And somebody put that voice in her brain.
Made over six years in the hotels of six different countries, Hotel Diaries charts the 'War on Terror' era of Bush and Blair through a seven-part series of video recordings that relate personal experiences to the ongoing conflicts in Afghanistan, Iraq and Israel/Palestine. In these works, which play upon chance and coincidence, hotel rooms are employed as 'found' film sets, where architecture, furnishing and decoration become the means by which the filmmaker’s small adventures are linked to major world events.
