Filmmakers Sam and Amy journey into rural Australia to explore how the legacy of an American legend has transmitted and warped itself over time, and across the globe, resulting in the 30th annual Parkes Elvis Festival.
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Sam
Amy
Elvis
Using original footage and interviews, this documentary tells the nail-biting story of Apollo 13 and the struggle to bring its astronauts safely home.
In Japan, thousands of people disappear voluntarily every year. And there are companies ready to help those who want to disappear without a trace and start a new life somewhere else. Meet some of them in a film that soberly examines a modern phenomenon.
Join photographer turned public access guru Ricky Powell in this collection of clips from his influential NY TV show, Rappin' With The Rickster.
It explores the last two years of Brazilian singer Cazuza's life, from his AIDS diagnosis until his death. Nilo Romero, Cazuza's music producer and the film's director, created a collection of rarely seen and controversial images.
For the France 3 show, Mosaïque, Sarah Maldoror met Assia Djebar on Sunday March 29, 1987 on the occasion of the publication of her book Ombre Sultane. She discusses the status of the traditional woman in the Arab Muslim world: "The woman is always on the move, she is never anchored. To the extent that she is always in the process of repudiation, she is in the process of leaving. With Ombre Sultana, I wanted to make the reader feel that these women from elsewhere are like her, even if the reader is Western.
Follows the deadly Australian bushfires of 2019-2020, known as ‘Black Summer’. Burning is an exploration of what happened as told from the perspective of victims of the fires, activists and scientists.
No overview available.
Hancock fan Jack Dee presents Tony Hancock: Very Nearly An Armful. Taking its title from celebrated Hancock episode The Blood Donor, this two-hour retrospective features previously unseen scripts, scrapbooks and production files belonging to the lad himself, as well as personal items such as photos and letters.
God's Girls describes life in a Sisters of Mercy convent in country New South Wales from the 1940's to present day. This courageous and clever film investigates the subtle complexities of change within a society that has been surrounded by mystery for hundreds of years. The stories from the women in the film reflect the often intricate paths of social, political and religious history, not only in Australia but also in the rest of the world.
Filmmaker Roman Polanski and photographer Ryszard Horowitz meet in Kraków, Poland, where, strolling the streets, they share memories of their childhood and youth, the hardest days of their lives, when, during World War II, they met in the ghetto established by the Nazi occupiers.
Juan Manuel Fangio was the Formula One king, winning five world championships in the early 1950s — before protective gear or safety features were used.
A year in the life of troubled Australian graffiti artist Justin Hughes.
The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.
A documentary on the electric guitar from the point of view of three significant rock musicians: the Edge, Jimmy Page and Jack White.
On the occasion of the release of the blockbuster "Asterix & Obelix: The Middle Kingdom", unpublished images of the preparation of the film and the manufacturing secrets, as well as the crazy story of Asterix and Obelix since its origins.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
“As I child, I always had music in my head. I thought everybody did,” the legendary conductor Sir Simon Rattle recalls. His charming and humorous reflections on the unifying magic of conducting are complemented by interviews with well-known contemporaries and accompanied by thrilling concert footage. His music is a joy to all those who listen to it!
The legendary press conference in San Fransisco at KQED studios on Dec. 3rd 1965. This was a pivotal year in Bob Dylan's career. In the early part of the year he released "Bringing It All Back Home", the first album that saw him move distinctly away from his folk music origins. In the summer he followed it with "Highway 61 Revisited", an out and out rock 'n' roll album, and the single "Like A Rolling Stone" hit No.2 on the US charts. His appearance at that year's Newport Folk Festival saw him use an electric guitar on stage, a hugely controversial move at the time that saw him booed by much of the audience. Against this background, Dylan went into the studios of TV station KQED in San Francisco for a broadcast press conference hosted by Ralph J. Gleason, his only one from this era ever to be filmed.
After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.
