Cleyton Abreu
Janete Jarczeski
Two women living alone are visited by a young strange man whose identity and intentions they begin to question as the evening progresses.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
This documentary chronicles the inspirational story of a man who would not accept "no" for an answer. Born with cerebral palsy, Cordell Brown faced many challenges and most believed he would amount to nothing. Despite the odds stacked against him, Cordell proves that with heartfelt determination he can make a difference in the world.
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.
Visiting the home of Marija Janeković in Petrinja on 24th April 2013.
A short film following Anthony, a young child from the small, rural town of San Antonio de los Baños, Cuba. We see him in different moments of his daily life as he interacts with different forms of environmental, familial, and social influences. While Anthony displays contradictory traits of creativity, destruction, rigidity, and tenderness as he interacts with his external and internal worlds, we see a story built from the the multidimensionality of Anthony's layered personality as a young man.
A short film about the changing face of London Soho and the implications of gentrification on Mimi, an aging transvestite.
During the Revolutionary War, Emily, her daughter Sarah and her two young grandchildren have to look after themselves and run the family farm while the men fight for the patriots' cause. With winter approaching, crops dwindling and food shortages mounting, the women face their greatest fears when three lost British soldiers storm into their house demanding food, drink and anything else they can get their hands on.
Takashi Miike is a cinema monster. Let's return to his filmography, his main themes, the framework of his monumental universe.
The impact of the pandemic has left a void in places that were once teeming with people. Spaces for education, sports, religion, culture and entertainment were desolate, waiting for humanity to fill these spaces again.
Four experts in different areas such as religion, philosophy and thanatology, share their wisdom when it comes to death.
Short news featurette produced by Pathe-RKO after the Russians launched the first orbiting satellite, Sputnik. It is a patriotic 'call to arms' from the threat posed by this and the need for Americans to spend more on education in general and a college education in particular. A visit to the University of Buffalo highlights its science programs and the need for more graduates from all technical disciplines if America is to rise to the challenge. It bemoans the fact the PhDs earn less than a mechanic and the need to re-order priorities.
Short documentary directed by Günter Schlesinger
Bryan Charles Kimes has a lot to say, but the power of language escapes him. Lost in a public-school system that does not suit his needs, his parents fight to help him find his voice.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
No overview available.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.
A part of Porto’s nightlife history is revealed. In this work, the artist draws on her extensive archive of video recordings of Porto’s artistic and cultural landscape, which she has captured over the last 26 years, to focus on some of the city’s nightclubs that haven’t survived the years. A work commissioned by Batalha Centro de Cinema.
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