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Short 1964 black-and-white documentary featurette hosted by Sean Connery and featuring the real-life inspiration for the character of Q, Major Geoffrey Boothroyd with a discussion of the gun weaponry used by James Bond.
In the fall of 1939, more than 600 fishermen and fish handlers in the tiny town of Lockeport, Nova Scotia walked the picket line in front of the town's only employers, Swim Brothers and the Lockeport Company. Both fishplants had locked their doors rather than recognize the Canadian Fishermen's Union as official bargaining agent. For eight weeks, as autumn turned to winter, the men, with their wives and families, held firm. It was a bread-and-butter struggle that made national headlines--one of the first major attempts by Nova Scotia fishermen and fishhandlers to win union recognition, and one of the first major tests of the N.S. Trade Union Act, passed in 1937.
The 1939 dramatic short "Angel of Mercy," about Red Cross founder Clara Barton, is reedited to relate the story to America's involvement in World War II. Edited from Angel of Mercy (1939)
Short documentary
Film is about communication. Kobrin pays homage to Vasili Nalimov, to his work and life. Nalimov was a mathematician and philosopher, but was also an eccentric anarchist with mystic tendencies who spent eighteen years in a concentration camp. Nalimov’s philosophy relies on probabilistic methods in the natural and social sciences and applies them to the study of language and consciousness.
Judith is a member of the mariachi band "La Estampa de Calimaya" and the only woman in the group. She's also mother of two kids and lives in Toluca.
As her 80th birthday is approaching, Vera Klement, an oil painter in Chicago, adamantly starts yet another new figure painting: a portrait of an artist under oppression, an homage to Russian composer, Dmitri Shostakovitch.
Made refugees by the war in Ukraine, Olga and her granddaughter Milana travel to a summer camp in the Austrian Alps to test the limits of their own bravery, and to strengthen their growing bond.
Documentary of musician Mikael Kosmos' journey into Tuva to taka part on a throat singing competition.
Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.
Underscored by French film legend Delphine Seyrig’s evocative recitation of a Henri Michaux poem, Maureen Fazendeiro’s film is a mysterious, multi-textured portrait of eclipse spectators in Portugal.
Children of lesbian mothers talk frankly about their mothers' coming out, their own homophobia, and how they feel about being raised by lesbian mothers.
A 20-minute documentary film about the Kyrgyz people living by the Narym River.
Life in a Kyrgyz aul (village) in the mountains connected to the rest of the world by a cable bridge, and the teenage boys who are constructing the rope of the bridge. A rope bridge which the locals call “The devil’s bridge” forms part of each and every event which takes place in a small village lost in the mountains of the Kyrgyz Republic. A platform driven by a huge winch which they have to pull with their own strength to cross the torrent is their only link with the outside world. But the director of the documentary wondered something else: “Does this bridge unite or does it actually separate?” Through the mist and over the thrashing waters, the inhabitants of the area glide along their ropes. A film, in the director’s own words, about ordinary people who live in an extraordinary place.
The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.
Shots of Turin, deserted because of the pandemic, interweave with images of the movies that have been shot in the city ever since the dawn of cinematography.
One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.
In Zachary Epcar's fragmentary, soap opera-esque film, lounge music, lamps, coffee pods, and other accoutrements of modern life restage a story of domestic dreams and nightmares.
A generous and lyrical continuation of Lebanese artist Marwa Arsanios’ interest in the ties between ecology, feminism, and collective organization, this documentary showcases the radical politics of a Lebanese farming cooperative and the citizens of Jinwar, a women-only village in the north of Syria.
Cleyton Abreu
Janete Jarczeski
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