No Trailers found.
Emil
According to Scottish mythology Selkies are mythological beings capable of changing from seal to human form by shedding their skin. This film follows the story of such a creature who chooses the sea over her land dwelling sweetheart.
Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.
A young woman is on the verge of committing suicide when things take an unexpected turn.
A sleep paralyzed woman confronts her demons.
A man is confronted by parallel versions of himself as he contemplates his life choices.
An original ghost story from the rugged coastline of Mendocino County, California. Shot and animated on Super 8 film.
It’s the year 1990. America is on the verge of another Great Depression. A Hitler-like President puts into action his mad scheme to wipe out the federal deficit by dispatching extermination squads. Can the terribly violent genocide be stopped before all non-conformists are destroyed?
Someone finds a dead body in the forest.
No overview available.
A single misstep — crushing a cicada beneath his foot — plunges a young man into unsettling paranoia.
Filmed on Super 8 in Paris, Portrait de Rosa, à la française portrays an intimate love story through quiet images and gentle emotion.
A lonely mime takes desperate measures in order to find the audience he deserves.
Milk in its symbolic and ancestral dimension is the fulcrum of this short film. Primary source of female nourishment, abundance and life, milk flows, is drunk, steeps and nourishes. The woman-mother is its dispenser, the one who safeguards its vital power. The color of milk, however, also recalls male seminal fluid and the dimension of the sensual exchange between man and woman.
La signora Aetna, (Etna), is bored and boredom can be a dangerous thing for those around you when you are a volcanic goddess.
An awkward boy and a shy girl meet on a bench, what awaits is a night they will remember forever.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
fragments from song lyrics of different artists have given life to this story about love, loss and desperation.
A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.
A dough-eyed newcomer to New York is sent on a mental spiral of his own self-worth when he is asked to take photos of a random couple in a park and he finds out what it truly means to be a New Yorker.
Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
