A young woman rediscovers a letter from an old friend, forcing her to reconcile with the past.
At once a journey and a reckoning, this film follows 19 year old Koen's ascent of Mount Rinjani—often regarded as Indonesia’s toughest summit. What begins as a test of endurance gradually transforms into something more intimate: a dialogue between self and nature. Shot as a reflective video diary, the film holds not just the view from the summit, but the moments of insight and introspection discovered along the way.
Alternating Philippines and Saudi Arabia as her home, the filmmaker uses personal home videos and present footage to tell the story of her family.
A married couple working together at a pinball museum explore the state of pinball and what it means to them.
Portrait of a typical European feminist - Olga Lipovskaya (1954-2021), journalist, translator, poet, founder of the women's non-profit organization St. Petersburg Center for Gender Issues (an educational and resource center for women and women's organizations), editor of the samizdat magazine Women's Reading.
Chronicles of the cultural life of Tashkent (2007 – 2015). From the murder of Mark Weil to the wedding of Alisher Usmanov. Tashkent Biennale, apartment buildings, video art festival, conversations about nothing, amateur performances and operational shooting, advertising and much more. Tashkent, which no longer exists, just as these people are no longer in it.
Monte Hellman was born in 1932. By 1986 he made eight features, but had not directed for six years. I had made as many documentaries, but had not turned a foot of film through a camera for two years. I decided to break the silence by spending a day with him. Nine rolls were loaded into the camera. We talked until either we or the camera ran out.
Four friends embark on a journey to California where they discover the beauty of friendship amidst the stunning landscapes of the West.
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An epic documentary of rise and fall of Ustasha regime in Croatia.
From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.
An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19
Damiano David's short film for the presentation of his first somo album: Funny Little Fears. He speaks and sings about his fears.
For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.
The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.
When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
The Ocean of Tears is a 2012 Kashmiri short Directed by Billal A Jan documentary film produced by Rajiv Mehrota under the banner of Public Service Broadcasting Trust of India. The film is a documentary of the crimes and human rights violations impositioned on the people of Kashmir especially on women.
A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.
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