Every fear is a step toward the truth of who I am.
Damiano David's short film for the presentation of his first somo album: Funny Little Fears. He speaks and sings about his fears.
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Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
After his long-time girlfriend dumps him, a thirty-year-old record store owner seeks to understand why he is unlucky in love while recounting his "top five breakups of all time".
From the sweaty basement bars of 70s New York to the glittering peak of the global charts, how disco conquered the world - its origins, its triumphs, its fall and its legacy.
This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
A promotional video for the film “Death and Rebirth.” Released on January 25, 1997, it contains an overview of the series’ plot, cast interviews, a music video for “Soul’s Refrain,” and several trailers for the film.
Career-spanning retrospective of Siouxsie & The Banshees' video output
Documentary about the special friendship between the 72-year-old music machine collector Johann Bartisch and the 12-year-old farm boy Gerd from the village of Arnsgereuth. As a child, the Romanian Johann played "O sole mio" on the piano while his brother accompanied him on the violin. Even then, he was fascinated by the music machines that could be found at fairgrounds, in cinemas and on trains. As an adult, Johann began his passion for collecting in Bucharest, rescuing self-playing instruments from barns, cellars or even garbage dumps. With great attention to detail, Johann restores his found treasures in his 250-year-old schoolhouse in the village of Arnsgereuth.
TV-documentary about the German actor Otto Eduard Hasse
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
A satirical anthology film transforms popular humorous and sarcastic stage songs into standalone vignettes that lampoon the absurdities of bureaucratic officials and the liberal attitudes that were systematically targeted and suppressed in that era.
Screen song from Fleischer Studios
Taking part in The Voice Kids is already quite something, but for 11-year-old Merna it’s really something special. Her parents had to flee Iraq because they are part of the Christian minority, and IS was threatening to kidnap Merna. They now live in Lebanon, where one in three people is a refugee. The family has been waiting for two years for permission to move on. FaceTiming with her older sister, who stayed behind in Iraq, and cooking her favorite dishes with her mother make the situation more bearable. But what also really helps is singing – this calms Merna and makes her less afraid. She used to sing only in church, but since The Voice her beautiful, melancholy voice touches everyone. Because of her status as a refugee, Merna isn’t allowed to attend the foreign performances with the other finalists, but she’s now a national celebrity in Lebanon.
Go behind the scenes with the crew of Sea Lions of the Galapagos to showcase not just the production of a film, but the world that inspired it.
Documentary film about the making of Arttu Haglund's feature film Gone.
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Jim Carrey exhibits his talent as a painter and reflects on the value and power of art.
Documentary about the making of Sam Peckinpah's 1971 film "Straw Dogs."
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
