A misty afternoon returns a Mapuche couple to their wedding video. In their civil ceremony, they are noted as one of only two couples married in the indigenous language of Mapudungun.
This audio-visual tone poem uses the language of filmmaking to offer a first-hand evocation of the turbulent psychological effects one can experience due to prolonged lack of sunlight.
Cormac McCarthy has spent the last 25 years writing his novels at the mountain top retreat of the Santa Fe Institute (SFI) in New Mexico. An institute dedicated to the formal analysis of complex systems. In this documentary filmed at the library at SFI (and in the desert), Cormac in conversation with his colleague David Krakauer, reflects on isolation, mathematics, character, and the nature of the unconscious
The artist stalks and serenades Joe Dimaggio in her car as he strolls the docks unaware that she is videotaping his every step.
A portrait of new found sobriety and love unravels as a young woman moves through the motions of melancholic life in seclusion.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
A young actor, trapped in an abusive film set, starts spiraling in an anxiety induced attack and reflection as he ponders on his work and role in society. His attack and thoughts get heavier and more sporadic as he sifts through interviews he's done throughout the years - all showing the pain that lies within.
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A son finds himself suspended in time, haunted by a presence that seems both familiar and distant. As he navigates a looped reality from a single point of view, fragments of memory and emotion begin to surface, hinting at something deeper left unresolved.
An experimental documentary looking at the transgender experience around the world over two hemispheres, three continents and with four interviewees. The film employs limited B roll shots or edits during the interviews, instead opting to have the interviews mostly uncut, with the goal of creating both a level of sincerity and a conversational narrative between any one of the interviewees and the audience.
An experimental short film about wind and sunlight sweeping across tree leaves.
A bartender takes on the physical form of her imagined alter egos.
Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.
After a period of time where her hearing begins to overtake her sight, Casandra searches for the cause of her problem, isolating herself from society. She starts having visions that remind her of the past and promise an apocalyptic future.
A weekend in the city park is meant for recreational activities. During a twenty minute period, several men seek out a way to pass their time at a cruising spot located in the heart of a small peninsular grove.
A series of suburban skies and the feeling of there being something else, intangibly out of reach.
Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.
Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.
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