THE VOID IS OUR FRIEND.
A portrait of new found sobriety and love unravels as a young woman moves through the motions of melancholic life in seclusion.
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Kay
Izze
Ali takes a personal look at the complexities of his childhood through old photographs, vivid memories and a bunch of tunes in an attempt to reconnect with his feelings at that time.
The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.
Cassius is a lonesome photographer who is sent over the edge when he meditates to help with the grief of his late lover.
Marcos, an independent film and video editor, works editing late into the night. On a typical night at work, he has a seizure that causes him to lose consciousness. Upon waking up, he discovers that his way of perceiving life has changed in such a way that he now lives everything and sees it in the same way as a cinematographic montage.
Two women find companionship in emptiness.
A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.
Jessica, a young carer, and her mum, who is deeply paranoid and who sees and hears unexplained things have a strong and loving relationship. But the misfit relationship they have brings many challenges they struggle to overcome. The mum's deterioration in her mental health causes her to be sectioned, leaving Jessica lost in her life.
The Water Station is a film adaptation by playwright, director, and NYU Abu Dhabi professor Abhishek Majumdar of a play by Japanese playwright Ōta Shōgo, written in 1981. It is about our experience of the world and how it is shaped by what we have to leave behind, who we can leave with, and what happens when we meet others in our journeys.
Experimental middle school short
2011 remake of 2009's experimental short Pending Title
Four couples in crisis attend a multi-faith Conjugal Love retreat. Each participant carries a very clear idea of what she hopes to achieve. However, the strange tasks ordered by the monitors continually disrupt personal plans. The confusion increases when the same monitors stop hiding their conflicts, forcing each participant to assume an unexpected responsibility despite the consequences.
An experimental and short compilation of rhythmic documents about the devolving state of entertainment and reactionaries in it's entirety. From the parodic controls between the obscure artifacts of media-consumed culture, to the real world consequences of how film discussion shapes the political and mental state in a society.
a man has an unusual encounter with a stranger in central park
A bartender takes on the physical form of her imagined alter egos.
Since the sudden death of her best friend, something extraordinary happens: at noon her best friend returns as a ghost that only she can see. In these ephemeral moments they revive their shared memories.
The film is an exploration of the queer body’s struggle to attain validation and evade exploitation. In a society where queer identities have always struggled to be recognized, our bodies have often been a medium of our expression and avenue for satisfaction. However, we, as a community, have subjected ourselves as victims to a system that exploits our vulnerabilities and bodies, to the point of moral decay.
Aimé sees her reflection in the mirror and does not recognize herself. After several days of moving, she allows herself to look at herself. Objects such as a camera, a mirror and a window will push her to go through a rediscovery of pleasure and the transformation of her body. Themes that have always been recurrent in her head and that she decides to show through an audiovisual journey that she will undertake.
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