The Super-Sex

Nov 19, 1922

1h 0m

★ 0.0

Overview

The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.

Genres

Comedy

Romance

Production Companies

Frank R. Adams Productions

American Releasing Corporation (ARC)

The Super-Sex Trailers

No Trailers found.

Cast

Miles Brewster Higgins

Robert Gordon

Irene Hayes

Charlotte Pierce

Mr. Higgins

Tully Marshall

Mrs. Higgins

Lydia Knott

Grandma Brewster

Gertrude Claire

Cousin Roy

Albert MacQuarrie

J. Gordon Davis

Louis Natheaux

Mr. Hayes

George Bunny

Mrs. Hayes

Evelyn Burns

On the lam, criminal Alonzo hides in the circus as The Armless Wonder – a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.

7.6

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5.0

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6.0

Out of the Inkwell

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7.4

Destiny

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As a young couple stops and rests in a small village inn, the man is abducted by Death and is sequestered behind a huge doorless, windowless wall. The woman finds a mystic entrance and is met by Death, who tells her three separate stories set in exotic locales, all involving circumstances similar to hers.

7.3

The Thief of Bagdad

Mar 18, 1924

A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.

7.2

Wings

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Two young men, one rich, one middle class, both in love with the same woman, become US Air Corps fighter pilots and, eventually, heroic flying aces during World War I. Devoted best friends, their mutual love of the girl eventually threatens their bond. Meanwhile, a hometown girl who's the lovestruck lifelong next door neighbor of one of them pines away.

6.8

A Woman of Paris: A Drama of Fate

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When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.

7.9

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Charlie, a wandering tramp, becomes a circus handyman - soon the star of the show - and falls in love with the circus owner's stepdaughter.

5.0

The District

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In an effort to end family feuding, a young gypsy travels back in time to kill mammoths to ensure Hungary becomes rich by killing mammoths in order to create a massive oil reservoir. Things don't go entirely according to plan...

7.4

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When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

10.0

Lost

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Set in Spanish colonial Philippines. Pedro is tasked to wed a wife whilst his activist friend is considering him to join the revolution. Through a raunchy and campy path of winning the love of his life, Pedro is met with a daunting revelation.

5.2

So This Is Love

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So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.

6.3

A Fool and His Money

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6.1

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A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.

0.0

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One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.