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Jesús Martín del Campo
Paloma Sáiz Tejero
Paco Ignacio Taibo II
Lourdes Rodríguez Rosas
José Leobardo Reveles Morado
Luis Ángel García
Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.
In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.
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This film explores the consequences of the decisions we take and shows those things which really matter. After leaving his wife and children and promising he would be back, a man lives in a tent at a Mexico City park. There, he earns his living by selling balloons. After 30 years, he needs to fulfill his promise and return home. Will his family accept him back? Is he going to be able to change a life on the streets for the comfort of his home?
On September 19, 2017, at 1:14 p.m., an earthquake devastated Mexico City and its environs. Immediately, citizens mobilized to help, including the actor and youtuber Juanpa Zurita who quickly organized a group of friends that included singers, actors, content creators and other celebrities from the world of entertainment who helped him raise funds for the reconstruction of the city.
Best friends travel though Latin America meeting shamans, experimenting with plant medicines, and wondering about what makes a life well-lived when one of them might have half the time to live it.
A film about fragility; about a man obsessed with photographing the accident who discovered that the fate of others was his way of connecting to life. When does the image of the accident become the object of desire? Following the footsteps of Metinides and the work of contemporary tabloid photographers, we discover Mexico City through a narrative of crime scenes and accidents; rubbernecking though Metinides’ Gaze.
In Mexico City's wealthiest neighborhoods, the Ochoa family runs a for-profit ambulance, competing with other unlicensed EMTs for patients in need of urgent care. In this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care.
“Archeology” and “Archive” share the same roots. Both words come from “Arkhé”, the Greek word for “origin”. In the ruins of buildings, lost forever by earthquakes, as in the depth of the archives, we dig. What happened the morning of the big earthquake? The morning of September 19th 1985 is fading away in our memories. These recordings have never been seen. Unedited images of the catastrophe dug out by the archaeological adventure of an archivist that suffered with them. He dug and suffered until he could no longer see.
Documentary on water usage, money, politics, the transformation of nature, and the growth of the American west, shown on PBS as a four-part miniseries.
This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.
The story of the recovery of the negatives of thousands of photos taken by three photographers during the Spanish Civil War that were found seventy years later in a suitcase, inside a closet in Mexico City.
A new reading of the historical period that began with the reign of the Catholic Monarchs (1479-1516) and the discovery of America (1492), as well as an analysis of its undeniable influence on the subsequent evolution of the history of Spain and the world.
This Traveltalk series short brings us to the capital of Mexico, where we learn a little about the three million people living there. Their living quarters are viewed, as are various monuments found throughout the city, including a monument to George Washington. We also see the Museum of Fine Arts and the Washington Apartments. From here, we visit the bullfights.
The COVID-19 pandemic scars the citizens of Mexico City.
Filmed mostly with drones, this short film shows what happened before, during and after the devastating earthquake that struck Mexico City in September 19, 2017. Through sound recordings of the rescue operations, accounts from survivors and journalistic chronicles, this film reflects the uncertainty and bewilderment caused by the quake.
"Zona Rosa" is a documentary about the strippers who work in the gay clubs in Mexico City's famous district, the Zona Rosa. Christian Miranda gives us a tour though his professional and personal life while working as a cage-dancer stripper at one of Mexico City's famous gay nightclubs. Along with Christian we meet other strippers, patrons of the clubs and the club mangers. The nightlife, the scene, the money and the consequences are all on display as we tour through the notorious reality that gives the Zona Rosa its name.
Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.
An exploration of modern ruins that seeks to record the traces of time in Mexico City.
Mila and María are two teenagers who get to know each other through video correspondences they send to each other. One day, they arrange to meet in person.
