Experimental short film of colors and lights
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A room-scale VR creative documentary that uses multi-narrative and volumetric live capture to take the viewer on a journey into the mind of Lisa as she remembers her lost love, Erik. Within an empty void, fragments of past memories appear of their life together.
A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.
In an abandoned hospital on the outskirts of Brussels, strangers come and go while ghosts linger. Among the shards of glass, a young streamer performs a live sex show for an online subscriber. Under the same dilapidated roof, an old woman lights a fire and drinks her sorrows away in the room where her husband stayed until he died. A chance encounter between these two lonely beings will unleash a flood of memories and virtual data. But real-life connections are scarce, and mutual consolation seems a distant dream. Porcupines are said to gather on cold winter days to share body heat with their fellows, but ultimately injure each other with their quills. How is it that our slightest attempts at intimacy so often see us retreating once more into solitude?
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
In the ruins of a strange city, a young girl takes care of a large egg she holds carefully in her arms. She bonds with a boy who is searching for a bird he saw in a dream.
Adam is a factory worker. He falls in love with Chris, a slightly older man. Instead of strengthening his own identity, Adam is unable to cope with his sexuality and suffers a nervous breakdown. One of the first representations of gay men in Australian cinema and an iconic piece of LGBTIQA+ film history.
Against a repetitive trance-inducing loop of four carefully excerpted bars from “Ntsikana’s Bell” (1974, with Johnny Dyani), the enigmatic Sulejman Ferenčak—one of fifty members of the slippery production network OM, which concocted dozens of small-gauge gems in the late 70s and 80s--launches and spins his Super 8 tripod-attached camera in a methodical sequence of 360-degree rotations. Sky and earth are euphorically, deliriously transcended in what is not so much an homage to Michael Snow’s La Région Centrale, but rather its spiritual detonation from within.
As he falls down the spiral of personal obsession; a delusional mycologist finds himself in the midst of seeking the unattainable. Morals won't play a role in his relentless pursuit of transforming his being into fungus.
Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.
In a first person shooter game leaked to the dark web, a group of mercenaries disguised with baby faces invade mansions of the wealthy and powerful with murderous intent. However, as gamers livestream the game, the protagonists’ gang of horrific murders may or may not be happening in real life.
In this vivid transposition of contemporary music for television, Cahen "responds" to the complex musical transitions of Répons, a work by French composer Pierre Boulez. Performed by the Ensemble InterContemporain and conducted by Boulez, the intricate Répons was designed for an ensemble of twenty-four musicians, six soloists and a "real-time" digital processor. In Cahen's re-composed interpretation, he responds with visual and temporal transformations, "opening" the images in space and time and applying electronic techniques to engulf the instrumentalists in ocean, sky, and trees. Mirage-like superimpositions, temporal shifts, mirroring effects and de-synchronization result in a rhythmic confluence of the illusory and the real. Immersing the viewer in image and sound, Cahen mirrors the transformative process of Boulez's music.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.
The story of the iconic electronic music group Yello and the phenomenon of their 1980's hit song, exploring the song’s cultural impact and its enduring place in the American psyche.
Folgorazioni begins that path of “manipulation” of materials (filmed and refilmed, altered, stripped of all that is appearance) that we also find in the latest Come cani, come angeli. Divided into eleven fragments of different lengths, the film starts from physical violence to arrive at the mystery of life and death, the enigma that accompanies Valdoca’s works.
Nishi is a loser who has a crush on his childhood girlfriend. After an encounter with the Japanese mafia, he journeys to heaven and back, and ends up trapped in an even more unlikely place.
goodnight and rest.
Residents of the same street in Haarlem, and acquaintances and relatives of Kees Hin, together tell the story of Little Red Riding Hood, each in fifteen words.
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