A 9-year-old boy in a remote village in India begins a lifelong love affair with cinema when he bribes his way into a rundown movie palace and spends a summer watching movies from the projection booth.
A crime film with comedic overtones, Terapie pentru crimă (Therapy for Murder) follows Matilde, a beginner "professional" assassin who not only has to overcome the problems that every beginner in this unusual profession faces, but also an additional and personal challenge: she's a woman. When Matilde realizes killing for money is not that easy she wants to back out but it may already be too late as a real professional assassin is now after her.
The 43rd edition screens Neighbors, with five segments about the theme “neighbors”: not only about physical proximity, but also about relationships. In Brazil, Olga is a 90-year-old black woman who lost her husband one year ago; her neighbors, who come from different parts of the world, interrupt her grief. In Russia, an employee tries so hard to please his boss that he becomes inconvenient. An Indian woman, with the help of her male friend, decides to learn how to drive, an uncommon practice for women in the country. In China, an elderly, owner of an old and decadent barbershop, argues with his son, who wants to change the business. In South Africa, a group of homeless fights for the right to housing.
A chronicle of the lives of the Gibbons family, from shortly after the end of the First World War to the beginning of the Second.
This anti-coming-of-age film follows Generation Y characters as they chase the desire for radical self-realisation.
André and Vera are a young entrepreneurial couple. They get the opportunity to pitch their female health app at a prestigious competition. Before going there, Vera tries hypnotherapy to quit smoking. From this point, her attitude changes and André starts to behave unexpectedly.
In 1977 France, tightfisted factory owner Robert Pujol is so shocked when his workers strike for higher wages that he suffers a heart attack. His acquiescent wife, Suzanne, whose father had founded the factory, takes over management duties during Robert's convalescence.
Two friends try to re-unite by going on a road-trip to the forests and mountains. Their attempt to reconcile does not go easy due to the secrets they hold, and a shocking revelation ends their journey.
A serial killer stalks a woman he befriended after her car broke down.
Sofia, a marketing specialist, superwoman in a man's world is trapped in an episode of her stressful life, overlooking herself until she hits a wall. The film highlights the climate change problems initiated through the denial of the soul.
Three teenage girls living in the village of masculism, where life is absolutely crap, what are they gonna do?
‘Recrudescence’ takes place in a gothic, dystopian reality wherein a patriarchal judiciary removes the anger of women within whom it is deemed excessive. This is the case for Audrey, a writer of philosophy. But when Audrey’s husband tries to capitalise on her state, her anger returns in an unusual form...
A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.
The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.
A Cape Town couple, Katherine and Hugh, are headed to their private mountain getaway, when they pick up a hitchhiker, Liza, who carries a gun. Liza is invited for lunch, but soon the couple can't get rid of her.
This apocalyptic linguistic comedy meditates on the relationship between language, meaning and social decay and is scripted from "double-speak" language found in a variety of media sources. Drawing its title from the Pentagon's term for crash, Involuntary Conversion evokes the hollowness and free-floating anxiety that characterizes late 20th century culture. In a voice that could belong to a hypnotist or a government spokesman, a disembodied speaker recounts a string of events whose common thread is a sense of impending disaster. The mood is suspended somewhere between nightmare and deadpan and is propelled by a narrative as enigmatic as the language it exposes. The iconic shape of a fighter jet floating in a perfect sky has the creepy feel of a video game and the texture of television is used to make the images feel domestically ingrained.
Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.
Sanda spends all her time working in a plastic factory, raising her two small children and catering to an indifferent husband, leaving little room for herself. A chance encounter with another man may offer her an escape from her daily chores.
Sartika, a pregnant young woman, moves away from her city hoping to provide a better future for her child. She meets Maya, a coffee shop owner in Pantura. Maya takes care of Sartika and helps with her deliveries. After Sartika gives birth, Maya manipulates her into working for her as the "Kopi Pangku" waitress, a job that requires her to serve coffee on a man's lap, until one day she meets a fish distributor truck driver named Hadi and falls in love. Will she find happiness?
Director Lam Can-Zhao leads a small film crew as they shoot a film about a stray dog in the streets of Guangzhou, leading viewers into an unpredictable, peculiar and incredible journey.
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Kille
Tjej
Han
Hon
Mikael
