Historical leaders of the PSOE, among them several former ministers, lambast the political legacy of Pedro Sánchez, President of the Government of Spain.
The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
"Danse serpentine" (Gaumont #588) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse fantaisiste" (Gaumont #589) or "La Gigue" (Gaumont #590).
A silent film featuring footage from the 1935 Mauna Loa eruption at Mokuʻāweoweo Crater and the 1942 Mauna Loa so-called "secret eruption" which was not publicized to prevent Japanese planes from navigating at night. There is also footage from Halema'uma'u Crater on Kīlauea from 1934. Filmed on 16mm Kodachrome, this is possibly the first color film of a volcanic eruption.
A silent succession of black-and-white photographs of the city of Montreal.
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
How Don Quixote de la Mancha, the immortal character created by Miguel de Cervantes in 1605, has been depicted in cinema, television, cartoons, theater, opera, ballet and other artistic disciplines. An adventure that began more than four hundred years ago in the pages of a book and is far from coming to an end.
A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
Fantastic Flowers is a compilation of short silent films produced between 1906 and 1920, displaying amazing colours that were applied to each frame using the Pathécolor process, or other similar stencilling techniques. Bonsoir – La Fée aux fleurs (1906) / [Bloemenvelden Haarlem] (1909) / Les Chrysanthèmes (1907) / Le Chrysanthème, roi de l’automne (1914) / [Les Tulipes] (1907) / Les Fleurs dans les jardins (1914) / L’Après-midi d’une japonaise (1920) / The Beauty Thief ([1920]) / La Fée printemps (1906) / [Het schoonste uit de natuur] (1912?) / La Culture du dahlia (1911) / [Hollandse Tulpen en Klompen] (1920?) / Fabrication des fleurs artificielles (1911) / [Bonsoir tableau] (1906)
Short silent film about a flower garden from 1914.
A woman is shown various wallpaper samples, in a short displaying the Kinemacolour process
"La Gigue" (Gaumont #590) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "Danse fantaisiste" (Gaumont #589).
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Wallace Carlson walks viewers through the production of an animated short at Bray Studios.
An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.
Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.
The lives of Stan Laurel (1890-1965) and Oliver Hardy (1892-1957), on the screen and behind the curtain. The joy and the sadness, the success and the failure. The story of one of the best comic duos of all time: a lesson on how to make people laugh.
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
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