A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
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A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Kelet is a twentysomething black trans woman, whose greatest dream is to be on the cover of Vogue magazine. For the Finnish-born and Manchester-raised Kelet, such models as Naomi Campbell and Iman served as role models giving her strength – and during the darkest times, kept her alive. After coming out, then 19-year-old Kelet was cut off from her family and she moved back to Finland on her own.
Finland’s first nature documentary. The filmmakers’ expedition leads them all the way to the Åland Islands and the Karelian Isthmus.
To popularize the idea of automobile travel, Ford Motor Company produced Ford Educational Weekly, a film magazine distributed free to theaters. One 1916 series featured "Visits to American Cities." In this episode, Los Angeles is featured at the very beginning of the boom created by oil, movies and aircraft. On the occasion of its centennial in 1953, Ford donated its film to the National Archives and Records Service; this copy derives from a fine grain master printed from the Archive's preservation negative. Music by Frederick Hodges.
These two views were taken during the celebrations given in 1896 on the occasion of the millennium of the foundation of the kingdom of Hungary. Horsemen and men on foot parade, all dressed in historic uniforms.
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A father of four children gets brutally stabbed several times, with the children present in the family home. During the brutal action, his wife – Anneli Auer – is on the phone to the emergency center. Emergency Call – A Murder Mystery is a documentary film tracking down the story that unfolds after the fatal night. We hear from all emerging sides as the prosecution builds its case against the mother of four. A behind the scenes look into one of the most bizarre unsolved court cases in recent Finnish history.
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
“Convalescing, when you don't have to participate in the world. Time to read, to dream, to look - the blue, the light of the television, the blue, the book, the patterns the light, the blue. Time to appreciate how much that really is.”
The famous army scout in an exhibition of rifle shooting. A fine picture of the principal, and beautiful smoke effects.
A newspaper clip of a 30-year-old movie makes our middle-aged protagonist in the middle of his peak years to look for his best childhood friend. The journey leads him back to his teenage years in the 1990s depression, over-generational substance abuse and past encounters. This partly essayistic, autobiographical documentary tells the story of friendship and generational experiences while also pondering on the causes and effects of destinies in the judgmental atmosphere of our society.
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
The film follows two years of the extremely endangered arctic fox's attempt to return to Finnish nature as a breeding species, as well as the people who try to save the species. Kimmo Ohtonen's tireless toil is finally rewarded, when he manages to capture for the first time in Finland the journey of an arctic fox family in almost 30 years, from the start of romance to raising pups. This is the first time that the reproduction of an arctic fox has been recorded on video. There is a unique journey in the foothills of the North, culminating in a historic event.
70-year-old Timo makes the most of his short ride to work. Speeding up on a bicycle ends up in a ditch, but the adrenaline rush leaves a feeling of pleasure.
A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.
Short documentary released in 1907.
Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.
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