Louis Pereira's first documentary
The first of these traces the words of Louis Pereira's grandmother, delving into his childhood and memories of the past.
Self
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Ramprasad's entire family gathers under one roof for 13 days after his death, to perform and observe the Hindu traditions and rituals called the tehrvi. During the course, the family’s dynamics, politics, and insecurities come out, and then they realise that the importance of people and things are only evident in retrospect.
Josué, a 15-year-old boy, visits his mother, with whom he doesn't have a good relationship, which leads to certain conflicts. Being in his old house, Josué remembers moments from when he was a child, which brings him closer to her.
Marina, a trans woman and singer in São Paulo's nightlife, reunites with her father, who has Alzheimer's, after years of estrangement. In an attempt to reconcile, she takes him to significant places from her past, hoping to revive his memories and rebuild their lost bond.
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A portrait of Chicagoland ICU nurse Jeanette Alvarez-Basem captured through the perspective of her son Ben Basem. Between her night shifts and Illinois Nurses Association union meetings, Jeanette navigates what it means to be a nurse and a human during the first year of the COVID-19 pandemic.
A caring family goes on a vacation to Portugal, when they finish their trip, one of the family members looks back on the memories made to reminisce of what they did together.
Charlene White embarks on a deeply personal journey to uncover the roots of her connection to the British Empire in a bid to find out if we can ever truly emerge from its shadow. Charlene travels across Britain and Jamaica on a genealogical journey to investigate her own heritage and the relationship between the Empire and her family. By piecing together broken familial records and going back in time to the very start of the British Empire, she makes some surprising discoveries about how the British Empire has shaped her family’s lives and asks what it is to be Black and British.
Harlem Fragments is an Afro-futurist scrapbook storytelling of a Harlem Black family's beautiful destruction during the 2008 recession. A natural disaster so mesmerizing you can't look away from the tragedy. Based on true events- The film explores the haunting societal pressures of achieving the Black American dream, told in the POV of 10 year old TJ revisiting his family's home that's up for sale. By empowering this Black boy in this film with the agency to imagine, TJ, through his own journey, finds a way to process and come to terms with his family's divorce. It's important for every Black child out there enduring the same foreign emotions to know that it's okay to feel them, and affirm that there is a future trajectory forward out of the initial destruction.
For three years, Vincent Lindon recorded himself on his iPhone to document his insecurities, fears and fits of rage as if in a diary. Thierry Demaizière and Alban Teurlai use these unique recordings to paint an unusual portrait of the actor, who openly addresses personal questions about his profession, his age and his emotions.
A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.
At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.
Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.
A woman returns to the site of her birth, which is now a funeral home. She drinks a white monster energy drink.
The life of a Portuguese woman.
The documentary film follows the life and career of Milen Tsvetkov against the backdrop of historical events in Bulgaria that have transformed journalism and the media market in the country since 1989.
A teenager, disinterested in her Louisiana Creole heritage, finds herself having to entertain a visitor who only speaks what sounds like French. She’ll discover how magical it can be to connect with one's heritage.
For three decades now, Qatar, this small desert kingdom, has not stopped being talked about; because of its financial power and the secrecy that surrounds it, the royal family that runs it fascinates as much as it frightens.
Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.
A concert movie dedicated to the formation of the World Club of Odesa under the leadership of Mikhail Zhvanetsky. "Let many people be proud of the expanses and fields," says Mikhail Zhvanetsky himself about his favorite city, "someone falls to his favorite birch tree, thinking that it grows only here. We have the only homeland - Odesa, the only party of Odessites. Odesa is halfway around the world, from America to Australia. Odesa is a phenomenon, an Odessite is a character. Odesa was, is and will be one of the most famous cities on this temporal globe. And we, who stayed, and you, who left, will live and live with it.... Odesa is worth dedicating your youth and old age to it, and it will repay you like a native land".
My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives with the street hardships, and the fact of leaving is linked to the depredation of that place.
